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dc.contributor.authorOpfermann, Lena S.en
dc.date.accessioned2020-04-08T13:43:23Z
dc.date.available2020-04-08T13:43:23Z
dc.date.issued2015-10-16
dc.identifier.citationOpfermann LS (2015) 'Testing the “triple imperative”: A drama-based exploration of migrant children’s views', Transnational Social Review, 5 (3), pp.224-240.en
dc.identifier.issn2193-1674
dc.identifier.doihttps://doi.org/10.1080/21931674.2015.1082777
dc.identifier.urihttp://hdl.handle.net/10547/623927
dc.description.abstractIn an effort to address challenges associated with unaccompanied and undocumented migrant children in South Africa, civil society and academics have been using a rights-based approach that largely overlooks the children’s own perspectives. In response to this shortcoming, this study explored the views of migrant children living in Cape Town. By applying a drama-based methodology, the study aimed to follow calls for a “triple imperative” in forced migration studies. This imperative demands that research with so-called vulnerable groups should comply with enhanced ethics standards in order to produce policy relevant academic knowledge. The article develops two main arguments. First, the study has shown that many migrant children lack a stable reference person and therefore see themselves in charge of their own lives, yet that the lack of a legal document hinders them from fulfilling their responsibilities and pursue their goals. Following from this I argue that documenting migrant children not only fulfills the purpose of providing a legal right to stay, but also constitutes a form of stability and recognition of the children’s dig- nity. Secondly, I propose that drama-based research fulfills enhanced ethics standards, as it results in a form of “social reciprocity” that contributes to participants’ wellbe- ing. Since drama-based research also produces policy relevant results, I conclude that this methodology meets the “triple imperative.”
dc.description.sponsorshipEconomic and Social Research Council through an Overseas Field Research Grant and by the World University Network’s Research Mobility Programmeen
dc.language.isoenen
dc.publisherTaylor & Francisen
dc.relation.urlhttps://www.tandfonline.com/doi/full/10.1080/21931674.2015.1082777en
dc.subjectunaccompanied migrant childrenen
dc.subjectundocumented migrant youthen
dc.subjectSouth Africaen
dc.subjecttheatre-based researchen
dc.subjecttriple imperativeen
dc.subjectresearch ethicsen
dc.titleTesting the “triple imperative”: A drama-based exploration of migrant children’s viewsen
dc.typeArticleen
dc.identifier.eissn2196-145X
dc.contributor.departmentUniversity of Bedfordshireen
dc.identifier.journalTransnational Social Reviewen
dc.date.updated2020-04-08T13:18:06Z
dc.description.noteNot possible to find green OA policy online as journal ceased publication in 2018. Given delay in submission, no attempt made to find AAM version for repository - RSS 8/4/2020
html.description.abstractIn an effort to address challenges associated with unaccompanied and undocumented migrant children in South Africa, civil society and academics have been using a rights-based approach that largely overlooks the children’s own perspectives. In response to this shortcoming, this study explored the views of migrant children living in Cape Town. By applying a drama-based methodology, the study aimed to follow calls for a “triple imperative” in forced migration studies. This imperative demands that research with so-called vulnerable groups should comply with enhanced ethics standards in order to produce policy relevant academic knowledge. The article develops two main arguments. First, the study has shown that many migrant children lack a stable reference person and therefore see themselves in charge of their own lives, yet that the lack of a legal document hinders them from fulfilling their responsibilities and pursue their goals. Following from this I argue that documenting migrant children not only fulfills the purpose of providing a legal right to stay, but also constitutes a form of stability and recognition of the children’s dig- nity. Secondly, I propose that drama-based research fulfills enhanced ethics standards, as it results in a form of “social reciprocity” that contributes to participants’ wellbe- ing. Since drama-based research also produces policy relevant results, I conclude that this methodology meets the “triple imperative.”


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