• Login
    View Item 
    •   Home
    • Research from April 2016
    • Media and film
    • View Item
    •   Home
    • Research from April 2016
    • Media and film
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

    All of UOBREPCommunitiesTitleAuthorsIssue DateSubmit DateSubjectsPublisherJournalDepartmentThis CollectionTitleAuthorsIssue DateSubmit DateSubjectsPublisherJournalDepartment

    My Account

    LoginRegister

    About

    AboutLearning ResourcesResearch Graduate SchoolResearch InstitutesUniversity Website

    Statistics

    Display statistics

    The ethics and intimacies of moving images

    • CSV
    • RefMan
    • EndNote
    • BibTex
    • RefWorks
    Authors
    Egbe, Amanda
    Issue Date
    2016-11-07
    Subjects
    ethics
    film
    Levinas
    Aby Warburg
    P303 Film studies
    
    Metadata
    Show full item record
    Abstract
    Firstly consider a way of thinking about the relationships between images as constituted through a media archaeological approach.This archaeology provides a foundation to think about how moving images are duplicated/reproduced. That is it becomes a concern for how moving images constitute multiple modes of reality through the process of duplication, seen through the variable ways in which the optical printer has been utilised as an archival tool, a materialist instrument and tool of special effects. It then reflects upon Jakob von Uexkull’s notion of umwelt to consider an ecology of images, as a problematising practice to allow for the reading of moving images as both apparatus and content overcoming the dichotomy between technological and cultural readings of the moving image. This is done with recourse to Aby Warburg’s assemblage practice of the Mnemosyne Atlas project, but is not the subject of this paper. The paper further problematizes this notion of the relations of moving images as being an ethical relationship. By suggesting that notions of Levinas’s ethics in relation to this tentative practice of moving image archival practice, can illuminate how moving image practices, in their duplication can be perceived beyond their instrumentalising, in their aspect of technological apparatus, but rather as a co-constitution of filmmaker, apparatus and viewer constituting realities.
    Citation
    Egbe, A (2016) 'The ethics and intimacies of moving images', International Conference on Philosophy and Film: The Real of Reality - Karlsruhe.
    URI
    http://hdl.handle.net/10547/623915
    Type
    Presentation
    Language
    en
    Collections
    Media and film

    entitlement

     
    DSpace software (copyright © 2002 - 2023)  DuraSpace
    Quick Guide | Contact Us
    Open Repository is a service operated by 
    Atmire NV
     

    Export search results

    The export option will allow you to export the current search results of the entered query to a file. Different formats are available for download. To export the items, click on the button corresponding with the preferred download format.

    By default, clicking on the export buttons will result in a download of the allowed maximum amount of items.

    To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. The amount of items that can be exported at once is similarly restricted as the full export.

    After making a selection, click one of the export format buttons. The amount of items that will be exported is indicated in the bubble next to export format.