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    Replacement and reparation in Sarah Polley’s Stories we tell

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    Authors
    Piotrowska, Agnieszka
    Issue Date
    2018-06-06
    Subjects
    documentary
    P303 Film studies
    
    Metadata
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    Other Titles
    On replacement : cultural, social and psychological representations
    Abstract
    The question of the ethics of a documentary film has been debated for decades, with the work of Emmanuel Levinas gaining a particular currency lately. My own contribution to this debate focused on the relationship between the filmmaker and the subject of her film – a process that under certain circumstances could evoke a deep bond between the filmmaker and her subjects, and which I claim is similar to a mechanism which clinical psychoanalysis calls ‘transference’. This chapter looks at Stories We Tell (Polley 2012) and examines it as a site of reparation. I also investigate the notion of obsolete technology and fake archive as pivotal in Polley’s project, which I see as a way of a reclaiming the lost agency of the filmmaker’s mother vis-à-vis the patriarchal systems that she inhabited.
    Citation
    Piotrowska A (2018) 'Replacement and reparation in Sarah Polley’s Stories we tell', in Owen J, Segal N (ed(s).). On replacement : cultural, social and psychological representations, Springer International Publishing pp231-240
    Publisher
    Springer International Publishing
    URI
    http://hdl.handle.net/10547/623419
    DOI
    10.1007/978-3-319-76011-7_22
    Additional Links
    https://link.springer.com/chapter/10.1007/978-3-319-76011-7_22
    Type
    Book chapter
    Language
    en
    ISBN
    9783319760100
    ae974a485f413a2113503eed53cd6c53
    10.1007/978-3-319-76011-7_22
    Scopus Count
    Collections
    Media and film

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