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    Inception : a surrealist tale about lost love

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    Authors
    Piotrowska, Agnieszka
    Issue Date
    2017-12-01
    Subjects
    surrealism
    film
    P303 Film studies
    
    Metadata
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    Abstract
    In the video essay we focus on the similarities between Inception (2010) and the surrealist classic Un Chien Andalou (1929) by Salvador Dali and Luis Bunuel. In particular, it was the filmic language of unattainable desire, love and loss that we wanted to explore in visual terms[1].  Inception has been one of the most successful movies of the last ten years.  The film was a great commercial success but it has had a mixed critical reception. Mark Fisher in Film Quarterly (2011, n. 64. Vol.3), for example, rightly accused it of being, at least in part, a capitalist ‘commodification of the psyche’, both artistically and ideologically.
    Citation
    Piotrowska A (2017) 'Inception : a surrealist tale about lost love', Journal of Videographic Film & Moving Image Studies, 4 (4), pp.-.
    Publisher
    Media Commons
    Journal
    Journal of Videographic Film & Moving Image Studies
    URI
    http://hdl.handle.net/10547/622939
    Additional Links
    http://mediacommons.org/intransition/2018/01/11/inception-2010-surrealist-film-about-love-and-loss
    Type
    Article
    Language
    en
    ISSN
    2469-4312
    Collections
    Media and film

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