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dc.contributor.authorHallett, Lawrieen
dc.contributor.authorCarpentier, Nicoen
dc.contributor.authorSchrøder, Kim Christianen
dc.date.accessioned2017-11-09T13:37:14Z
dc.date.available2017-11-09T13:37:14Z
dc.date.issued2013-09-12
dc.identifier.citationHallett L (2013) 'Audience transformations : shifting audience positions in late modernity: (Edited Anthology)', in Carpentier N, Schrøder K, Hallett L. (ed(s).).: Routledge.en
dc.identifier.isbn9780415827362
dc.identifier.urihttp://hdl.handle.net/10547/622365
dc.description.abstractThe concept of the audience is changing. In the twenty-first century there are novel configurations of user practices and technological capabilities that are altering the way we understand and trust media organisations and representations, how we participate in society, and how we construct our social relations. This book embeds these transformations in a societal, cultural, technological, ideological, economic and historical context, avoiding a naive privileging of technology as the main societal driving force, but also avoiding the media-centric reduction of society to the audiences that are situated within. Audience Transformations provides a platform for a nuanced and careful analysis of the main changes in European communicational practices, and their social, cultural and technological affordances.
dc.language.isoenen
dc.publisherRoutledgeen
dc.relation.urlhttps://www.routledge.com/Audience-Transformations-Shifting-Audience-Positions-in-Late-Modernity/Carpentier-Schroder-Hallett/p/book/9780415827362en
dc.subjectbroadcastingen
dc.subjectaudiencesen
dc.titleAudience transformations : shifting audience positions in late modernityen
dc.typeBooken
dc.date.updated2017-11-09T13:21:00Z
html.description.abstractThe concept of the audience is changing. In the twenty-first century there are novel configurations of user practices and technological capabilities that are altering the way we understand and trust media organisations and representations, how we participate in society, and how we construct our social relations. This book embeds these transformations in a societal, cultural, technological, ideological, economic and historical context, avoiding a naive privileging of technology as the main societal driving force, but also avoiding the media-centric reduction of society to the audiences that are situated within. Audience Transformations provides a platform for a nuanced and careful analysis of the main changes in European communicational practices, and their social, cultural and technological affordances.


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