Browsing Media and film by Subjects
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Black and white: cinema, politics and the arts in ZimbabweIn Black and White Agnieszka Piotrowska presents a unique insight into the contemporary arts scene in Zimbabwe – an area that has received very limited coverage in research and the media. The book combines theory with literature, film, politics and culture and takes a psychosocial and psychoanalytic perspective to achieve a truly interdisciplinary analysis. Piotrowska focuses in particular on the Harare International Festival of the Arts (HIFA) as well as the cinema, featuring the work of Rumbi Katedza and Joe Njagu. Her personal experience of time spent in Harare, working in collaborative relationships with Zimbabwean artists and filmmakers, informs the book throughout. It features examples of their creative work on the ground and examines the impact it has had on the community and the local media. Piotrowska uses her experiences to analyse concepts of trauma and post-colonialism in Zimbabwe and interrogates her position as a stranger there, questioning patriarchal notions of belonging and authority. Black and White also presents a different perspective on convergences in the work of Doris Lessing and iconic Zimbabwean writer Dambudzo Marechera, and how it might be relevant to contemporary race relations. Black and White will be intriguing reading for psychoanalysts, psychotherapists and psychotherapeutically engaged scholars, film makers, academics and students of post-colonial studies, film studies, cultural studies, psychosocial studies and applied philosophy.
Getting our country back : the UK press on the eve of the EU referendumThis paper investigates a critical discourse analysis the author has conducted of UK mainstream newspaper coverage on the eve of the EU referendum. Immigration became a key issue in the closing days. The paper will explore the possibility that the discourse moved from persuasion to prejudice and xenophobia. The paper will also argue that in the age of populist post-truth politics, some of the newspapers also employed such emotive rhetoric, designed to influence and compel the audience to draw certain conclusions – to get their country back. In so doing, it is argued some of the UK media also pose a serious threat to democracy and journalism – rather than holding those in power to account and maintaining high journalistic standards. The notion that that some of the UK media played on public perceptions and a collective memory that has created, propagated and embedded many myths about the EU for decades, is explored. The possibility this swayed many – despite limited or a lack of substantiation, is explored, a discourse of ellipsis, if you will.