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Elinor Glyn as novelist, moviemaker, glamour icon and businesswomanThe first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn’s work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn’s experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn’s personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn’s involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.
An introduction to Elinor Glyn : her life and legacyThis special issue of Women: A Cultural Review re-evaluates an author who was once a household name, beloved by readers of romance, and whose films were distributed widely in Europe and the Americas. Elinor Glyn (1864–1943) was a British author of romantic fiction who went to Hollywood and became famous for her movies. She was a celebrity figure of the 1920s, and wrote constantly in Hearst's press. She wrote racy stories which were turned into films—most famously, Three Weeks (1924) and It (1927). These were viewed by the judiciary as scandalous, but by others—Hollywood and the Spanish Catholic Church—as acceptably conservative. Glyn has become a peripheral figure in histories of this period, marginalized in accounts of the youth-centred ‘flapper era’. Decades on, the idea of the ‘It Girl’ continues to have great pertinence in the post-feminist discourses of the twenty-first century. The 1910s and 1920s saw the development of intermodal networks between print, sound and screen cultures. This introduction to Glyn's life and legacy reviews the cross-disciplinary debate sparked by renewed interest in Glyn by film scholars and literary and feminist historians, and offers a range of views of Glyn's cultural and historical significance and areas for future research.
The special relationship and the allure of transatlantic travel in the work of Elinor GlynWinston Churchill famously said that the United Kingdom and the United States of America had a ‘special relationship’. This article takes a look at Elinor Glyn's Atlantic travel in her life and in her novels, and her visits to the United States, drawing on her archives, her memoir, magazine articles and contemporary newspaper reports of her trips. Her novel Six Days (1924) was adapted into a popular silent film which was exhibited in Europe and the United States. It is a combination of love and romance, transatlantic travel on a Cunard liner, a secret military mission and political cooperation, and is taken as an example of how the special relationship between the United States and the United Kingdom has been depicted in romance novels. It draws parallels between the movies 6 Days (1923) and Titanic (1997). This article was the keynote address at the Love Across the Atlantic Conference at the University of Roehampton in June 2017.