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    Retro, faux-vintage, and anachronisme: when cinema looks back

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    Authors
    Baschiera, Stefano
    Caoduro, Elena
    Affiliation
    University of Bedfordshire
    Queen's University Belfast
    Issue Date
    2015-12-05
    Subjects
    Nostalgia
    vintage
    
    Metadata
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    Abstract
    This article explores the definition of ‘vintage cinema’ and specifically reevaluates the fetishism for the past and its regurgitation in the present by providing a taxonomy of the phenomenon in recent film production. Our contribution identifies three aesthetic categories: faux-vintage, retro and anachronistic; by illustrating their overlapping and discrepancies it argues that the past remains a powerful negotiator of meaning for the present and the future. Drawing on studies of memory and digital nostalgia, this article focuses on the latter category: anachronism. It furthermore unravels the persistence of and the filmic fascination for obsolete analogue objects through an analysis of Only Lovers Left Alive (Jim Jarmusch, 2013).
    Citation
    Baschiera S, Caoduro E (2015) 'Retro, faux-vintage, and anachronisme: when cinema looks back', NECSUS. European Journal of Media Studies, 4 (2), pp.143-163.
    Publisher
    Amsterdam University Press
    Journal
    NECSUS. European Journal of Media Studies
    URI
    http://hdl.handle.net/10547/622333
    Additional Links
    https://necsus-ejms.org/retro-faux-vintage-and-anachronism-when-cinema-looks-back/
    Type
    Article
    Language
    en
    ISSN
    2215-1222
    Collections
    Drama dance and performing arts

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