• Values, attributes and practices of dance artists in inclusive dance talent development contexts

      Urmston, Elsa; Aujla, Imogen (Taylor & Francis, 2019-09-17)
      There is a paucity of research focused on understanding the qualities which underpin dance artists’ practice in working with talented young dancers with disabilities. This study investigated what informs how dance artists work in inclusive dance talent development contexts. Four dance class observations were conducted to provide evidence of dance artists’ qualities in practice. Six dance artists participated in semi-structured interviews. Thematic data analysis revealed four categories: the dance persona; values; attributes; and practices of dance artists. The dance persona was typified by characteristics such as being human, humility, altruism, and confidence. Artists’ values and attributes included celebrating difference, aspiring towards equality and relationality. Their practices were exemplified by varied differentiation strategies and an emphasis on reflection. These findings provide new insight into what drives artists working with dancers with and without disabilities, and aids better understanding of best practice in this context.
    • Within- and between-person predictors of disordered eating attitudes among male and female dancers: findings from the UK Centres for Advanced Training

      Nordin-Bates, Sanna M.; Schwarz, Johanna F.A.; Quested, Eleanor; Cumming, Jennifer; Aujla, Imogen; Redding, Emma; Swedish School of Sport and Health Sciences; Curtin University; University of Birmingham; University of Bedfordshire; et al. (Elsevier, 2016-07-09)
      Objectives This longitudinal study examined potential predictors of disordered eating attitudes (DEA) for male and female dancers, with a particular focus on whether environmental predictors (perceptions of task- and ego-involving motivational climate) added significantly to the prediction made by intrapersonal predictor variables (demographics/training, self-esteem, perfectionism). Methods and Design Young dancers (N = 597, 73.4% female, M = 14.69 years old, SD = 2.04) from UK Centres for Advanced Training completed questionnaires 1–5 times over a two-year period, depending on how long they were enrolled at their centre. Multilevel modelling was employed to examine both between- and within-person predictors of DEA. Results For females, lower self-esteem and higher perfectionistic concerns were significant between-person predictors of DEA. Increased levels of perfectionistic strivings and perfectionistic concerns were significant within-person predictors. For males, increased perfectionistic concerns and perceptions of the motivational climate as more task- and ego-involving were significant between-person predictors of DEA. No significant within-person predictors emerged. Conclusions Findings contribute to the literature on DEA in aesthetic activities and the debate concerning the (mal-)adaptiveness of perfectionistic strivings. They also raise questions about how environmental aspects should best be conceptualized and measured in studies of this type. In particular, however, results demonstrate that the predictors of DEA among males and females may not be the same, and suggest that future interventions may therefore need to be sex-specific.
    • ‘Women’s tales’: postfeminist adventures into consumerville

      Caoduro, Elena; University of Bedfordshire (Vita e Pensiero, 2017-04-30)
      This article examines the project ‘Women’s Tales’, an on-going series of short films that fashion designer Miuccia Prada commissioned from international female directors, among them Lucrecia Martel, Ava DuVernay and Agnès Varda. By situating this endeavour in relation to female agency, authorial expressivity, and consumerism, it is argued that the project conforms to postfeminist media culture for its celebration of feminine bonds, make-over strategies and the use of luxury as a tool for pleasure and empowerment. As a series of fashion films at the interstices of different systems: advertisement and art, film and online media, experimental and mainstream practices, ‘Women’s Tales’ occasionally contain some critical potential, but struggle to challenge existing fashion paradigms. This article questions the postfeminist ethos that the project espouses, claiming that through its in-between, interstitial status, ‘Women’s Tales’ destabilise representational conventions without really disrupting fashions’ foundation.
    • Yielding as an ecologically sensitive and somatic practice

      Ashley, Tamara (2019-03-20)
      These yielding practices are designed to anchor your perception of nature in your senses. They enable you to focus on different senses in the natural environment and observe the emerging relationships. Most practices in this Toolkit are available as recordings, which you can listen to through your device or headphones. However, to benefit most from the sensory immersion in a natural environment that the yielding practice advocates, we recommend that you read the PDF script in advance (link below), print it, and then go outdoors with this score as your guide. Take your time with each invitation: perhaps only try 1 or 2 of the practices at first. Repetition of the practices can be helpful in observing changing perceptual and experiential relationships with nature over time.