• Embodiment and digital interactivity : towards post human somatic practices

      Ashley, Tamara; Cherry, Rachel; Pell, Luke (Intellect, 2016-06-01)
      Editorial.
    • Intercultural to cross-cultural theatre: Tara arts and the development of British Asian theatre

      Ukaegbu, Victor (Intellect, 2013-12-31)
      Developments in small scale theatre and dance sectors, from low to medium scale companies and those that started from one category and then evolved into other formats beg the question as to what the term UK small-scale' theatres really means. This national picture is repeated even more so in the huge body of innovative and often radical works, radical in terms of format, process and contexts, that take place outside mainstream theatre and the practitioners whose works derive from a combination of ideological and artistic motives. This piece interrogates the ideological, social and artistic impulses and trajectory in UK's diverse Asian population that led to the creation of theatres that addressed her lived historical experiences in Asia and the diaspora, and the journey to a distinctive Asian theatre and performance aesthetic in the UK and how the form has not only destabilised generally homogenised concept of Black British theatre and multiculturalism, but evolved important sub-categories in British Asian performances. This development sets the scene for theatre practitioners and critics, notably Jatinder Verma and Tara arts theatre to evade stereotyping and pigeon-holing whilst charting a much wider trans-national agenda for both Asian and non-European performance forms in the UK. Keywords: Diaspora, Asian, 'Binglish', Interculturalism, Multiculturalism, Trans-culturalism. 
    • The possibilities of different geographies

      Carr, Jane; Sharp, Bruce (Intellect, 2018-12-31)
      'The Possibilities of Different Geographies’ is the title of a dance work Jane Carr and Bruce Sharp  first created in 1997 that investigated the significance of human embodiment. Twenty years later they revisited the themes informing their earlier work in order to create a participatory performance-installation focused on the significance of the embodied dimensions of intersubjective experience.   The authors present the philosophical and political ideas underpinning their aims to challenge the boundaries that act as limits upon how humans experience their embodied identities and reflect on how, in developing the project, artistic and activist principles became interwoven. They describe the creation of movement scores for participants to perform and consider how elements of movement, sound, lighting and opportunities for reflection contribute to an environment that affords creative participation focused on the intercorporeal dimension of human geographies.  
    • Reverberations across small-scale British theatre: politics, aesthetics and forms

      Duggan, Patrick; Ukaegbu, Victor (Intellect, 2013-12-31)
      Between 1960 and 2010, a new generation of British avant-garde theatre companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theatre history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theatre companies and personalities in the scholarly spotlight. By questioning what 'Britishness' meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies.
    • Setting the scene: introducing reverberations

      Duggan, Patrick; Ukaegbu, Victor (Intellect, 2013-12-31)
      This chapter reflects on the myriad of cultural, sociopolitical, educational and performance traditions in the United Kingdom from the end of WW2 and the rationale for the types and contexts of practitioners and works researched and interrogated in the volume. From this vast topography the authors debate changes in UK's post-WW2 theatre scene, why some concepts and practices have survived and why some have gone out of business. such a landscape calls for a different reading strategy that is designed to both make sense of the selected pieces of works and companies but which more importantly, extends to how researchers and practitioners might read other works.  
    • Somatic perspectives on developing an iPad app for choreography

      Ashley, Tamara (Intellect, 2016-06-01)
      The article offers insight into somatic perspectives that have informed the design of a software application for the iPad. Entitled formXtended, the app is designed to extend the compositional imaginations of users, by engaging them in choreographic tasks that integrate movement, sound and image. The project sought to develop an approach to software design that engaged with principles of inclusion and accessibility for disabled and non-disabled users. The article offers insight into some of the questions and issues addressed by the team in their endeavour to create inclusive app-based activities. The discussion articulates how somatic principles informed both app design stage and in the testing phase with young people, which led to further refinements in the app design. The somatic dimensions of the formXtended project are situated within a larger and more complex collaboration between arts organization, dancedigital, software company, Moviestorm and research partner, University of Bedfordshire.