Browsing Drama dance and performing arts by Authors
Flow in the dancing body: an intersubjective experienceDouse, Louise Emma (Oxford University Press, 2017-10-02)This chapter is situated in research on flow which explores optimal experience from the context of positive psychology, as it was first expounded by Mihaly Csikszentmihalyi. It develops a theory of flow in dance improvisation which draws on the eudaimonic concept of wellbeing. Drawing on the writings of phenomenologist’s Maurice Merleau-Ponty and Martin Heidegger, the chapter makes links between Csikszentmihalyi’s concept of flow and the defining characteristics of eudaimonia such as personal expressiveness, self-realization, excellence and relatedness. The chapter draws on case-study research which proposes a methodology for engaging with the dancer’s experience of flow. The chapter focusses on the use of dialogic tasks within the choreographic process to develop an understanding of the dancer’s experience of flow. Further, the research employs the method of ‘reflexive embodied empathy’ developed by psychotherapist Dr. Linda Finlay. As a method, it involves a process of hermeneutic reflection for understanding the experience of the participant while enabling an examination of the researcher’s intimate role in the construction of that interpretation. As a result, this chapter articulates flow as an example of intersubjective experience, and specifically as an example of relatedness, as defined in wellbeing research. It is argued, flow enables the researcher/spectator to connect to, act into, and merge with the experience of the dancer, informing both their understanding of the dancer’s wellbeing and their own wellbeing in the moment of observation. Flow thus offers a perspective of wellbeing that enhances the spectator/dancer relationship.
The impact of an intergenerational dance project on older adults' social and emotional well-beingDouse, Louise Emma; Farrer, Rachel; Aujla, Imogen; ; University of Bedfordshire (Frontiers, 2020-09-16)There has been strong interest in intergenerational arts practice in the United Kingdom since the 1980s; however, there is a generally weak evidence base for the effectiveness of intergenerational practice regardless of the domain. The aim of this study was to investigate the outcomes of an intergenerational arts project on participants’ social and psychological well-being using a mixed-methods, short-term longitudinal design. Generations Dancing brought together community artists with students (n = 25) and older adults (n = 11) living in Bedford. Over an 11-week period, participants worked together to produce a new dance performance and photography exhibition. Focus groups were conducted with the participants to explore their feelings about the collaboration across generations and communities. Participants also completed a battery of questionnaires preproject and postproject, to assess any change in their levels of well-being. Results indicate that the older adults showed increased confidence and willingness to connect with others; they got immense enjoyment from talking about their experience with others. Furthermore, the project helped to address negative stereotypes that the older adults had of working with the young people. The older adults enjoyed the students’ company and felt encouraged and supported by the young people. While a small number of challenges were identified, including difficulties in traveling to the workshops for vulnerable participants, most challenges were overcome through the older adults’ engagement in the project. For example, initial anxieties regarding the performance seemed insufficient to affect the participants’ overall enjoyment of the project. The findings were supported by the increased scores in relatedness, affect, and social well-being over time, but were not statistically significant. The results of this study indicate that intergenerational dance and arts projects can have wide-reaching positive impacts on both social and psychological well-being. However, there were a number of methodological challenges, including difficulty in recruiting sufficient numbers of both experimental and control groups for a robust quantitative evaluation of the data. These challenges highlight that “real life” settings and scenarios can influence the amount, nature, validity, and reliability of data collected. Going forward we encourage researchers to continue to consider innovative ways to address such methodological challenges.
Sustainable arts and health: the role of a university in facilitating an intergenerational, interdisciplinary community arts projectFarrer, Rachel; Douse, Louise Emma; Aujla, Imogen; University of Bedfordshire (University of Georgia, 2022-03-31)There is growing interest in the use of intergenerational practice in arts and health to support psychological well-being and community cohesion. However, little research has addressed the facilitation of such projects, or how higher education institutions can support them. Here we examine the role of the University of Bedfordshire in Generations Dancing, an 11-week dance and photography project for older adults and young people in Bedford. Focus groups were conducted with the older adults, young people, artists, independent living centre leaders, and schoolteachers involved. Inductive content analysis highlighted the university’s role in brokering between community sectors, promoting the project, and offering resources. These factors appeared to play a significant part in enabling the project to develop beyond what smaller organizations working independently might have achieved, and in facilitating a sustainable model for its perpetuation.