• The material culture of Cinderella: introducing the Cinderella Collection

      Weedon, Alexis (Cambridge Scholars Publishing, 2020-12-01)
      In August 2012 the University of Bedfordshire was given a collection of items all about Cinderella. It was one person’s collection, gathered over a number of years in the 1990s and is an example of a fascination with the fairy tale and its retellings in our culture. It is housed at our library in Bedford and shares its archival lodging with the much larger Hockliffe collection of rare primers, readers and children’s books that was donated by a specialist bookseller from the town. On the open shelves in this cool room are the books and along side are the archive boxes with the objet and ephemera. There are cuttings, tins, jigsaws, souvenir programmes, figurines, and porcelain collectables. Each are not necessarily unique in themselves, but as a collection it is intriguing. It offers unusual insights into the range of discourses and disciplines that claim the tale of Cinderella. Through insights into the Special Collection of Cinderella material its archiving and display at the University of Bedfordshire, this chapter will examine the material culture surrounding Cinderella from the nineteenth and twentieth century. The Collection opens up the varied range of adaptation and performance that the story has inspired, containing materials ranging from opera and ballet programmes, books and theatre models, to collectable figurines, toys and merchandise. This chapter takes a perspective from publishing studies and delves into the different market sectors in the Collection such as folklore, psychology, education, self help, fiction, illustration and women’s studies. Opening the covers of these volumes it explores the tales of personal transformation as they have been reinscribed in modern retellings.
    • Review of The Concept of the Book: The Production, Progression and Dissemination of Information: edited by Cynthia Johnston, Institute of English Studies, University of London, 2019, 146 pp., £25.00, ISBN: 9780992725747,

      Darwood, Nicola (Taylor and Francis, 2019-12-13)
      Review of The Concept of the Book: The Production, Progression and Dissemination of Information edited by Cynthia Johnston, Institute of English Studies, University of London, 2019, 146 pp., £25.00, ISBN: 9780992725747
    • The uses of quantification

      Weedon, Alexis (Wiley Blackwell, 2019-08-16)
      Revised and updated chapter with new material for the second edition of A Companion to the History fo the Book. Because text production – in the past and now – frequently aimed at multiplying and spreading its product as much as possible, and because those texts commonly became subject to markets and market forces, historical records of books and the book trade sometimes take the form of lists of quantities. Particularly since the invention of printing, we sometimes have information about the fee paid to an author, cost of paper, cost of composition, print runs, cost and rate of binding, costs of advertizing and distribution, sales figures, library acquisitions and catalogues of private collections of readers. The information is usually patchy, the way it was recorded varied a great deal, and much more has been lost than survives but, even so, the data available is rich enough and important enough to be treated seriously. This is where the quantitative history of the book, or bibliometrics, comes in. It doesn’t answer all the questions, and often its answers need careful interpretation, but it does give us access to parts of book history that would otherwise be wholly inaccessible.