Screening the dark side of love: from Euro-horror to American cinema
AbstractHow can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
CitationRitzenhoff, K., Randell, K. (eds) 'Screening the dark side of love: from Euro-horror to American cinema'. Palgrave.