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dc.contributor.authorFarrer, Rachelen
dc.date.accessioned2015-09-09T08:18:41Zen
dc.date.available2015-09-09T08:18:41Zen
dc.date.issued2013-05-07en
dc.identifier.citationFarrer, R (2013) 'The creative dancer' Research in Dance Education 15 (1) pp 95-104en
dc.identifier.issn1464-7893en
dc.identifier.issn1470-1111en
dc.identifier.doi10.1080/14647893.2013.786035en
dc.identifier.urihttp://hdl.handle.net/10547/576973en
dc.description.abstractThis article explores the creative role of contemporary dancers within the choreographic process, and introduces the question of why their creative contribution is often overlooked? It highlights how different modes of creativity can be understood, and what impacts different choreographic processes have on the way dancers understand their creative input. By analysing such processes, the article aims to address issues relating to the role dancers play in creating new dance work; the relationship that might be found between approaches to choreography and ways dancers perceive their creativity. Three professional dance companies based in the UK are used as case studies to explore these ideas, each working on different projects. The dancer’s experiences are explored and examined to offer a new framework for analysing their practice that focuses on the realities of their creative role.
dc.language.isoenen
dc.publisherRoutledgeen
dc.relation.urlhttp://www.tandfonline.com/doi/abs/10.1080/14647893.2013.786035en
dc.rightsArchived with thanks to Research in Dance Educationen
dc.subjectcreativityen
dc.subjectperformanceen
dc.subjectchoreographyen
dc.subjectdanceren
dc.subjectchoreographic processen
dc.subjectdanceen
dc.titleThe creative danceren
dc.typeArticleen
dc.contributor.departmentUniversity of Bedfordshireen
dc.identifier.journalResearch in Dance Educationen
html.description.abstractThis article explores the creative role of contemporary dancers within the choreographic process, and introduces the question of why their creative contribution is often overlooked? It highlights how different modes of creativity can be understood, and what impacts different choreographic processes have on the way dancers understand their creative input. By analysing such processes, the article aims to address issues relating to the role dancers play in creating new dance work; the relationship that might be found between approaches to choreography and ways dancers perceive their creativity. Three professional dance companies based in the UK are used as case studies to explore these ideas, each working on different projects. The dancer’s experiences are explored and examined to offer a new framework for analysing their practice that focuses on the realities of their creative role.


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  • Centre for Applied Research in Dance
    Dance at Bedford has an international reputation in research in the area of dance and technology. CARD supports and promotes excellence in research in e-dance and knowledge transfer between the academic and professional domains within the subject.

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