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dc.contributor.authorCarr, Janeen
dc.date.accessioned2015-09-04T09:31:41Zen
dc.date.available2015-09-04T09:31:41Zen
dc.date.issued2013-02en
dc.identifier.citationCarr, J (2013) 'Dance as a Site of Intertwining: Re-considering the Embodied Interrelationships Between Dancer, Choreographer and Audience for the Twenty-First Century' in Meyer-Dinkgraffe, D, (ed.) 'Consciousness, Theatre, Literature and the Arts 2013'. Newcastle:Cambridge Scholars.en
dc.identifier.isbn9781443854191en
dc.identifier.isbn1443854190en
dc.identifier.urihttp://hdl.handle.net/10547/576835en
dc.descriptionChapter 18 in Consciousness, Theatre, Literature and the Arts 2013en
dc.language.isoenen
dc.publisherCambridge Scholars Publishingen
dc.relation.urlhttp://www.cambridgescholars.com/consciousness-theatre-literature-and-the-arts-2013-10en
dc.titleDance as a site of intertwining: re-considering the embodied interrelationships between dancer, choreographer and audience for the twenty-first centuryen
dc.title.alternativeConsciousness, theatre, literature and the arts 2013en
dc.typeBook chapteren


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  • Centre for Applied Research in Dance
    Dance at Bedford has an international reputation in research in the area of dance and technology. CARD supports and promotes excellence in research in e-dance and knowledge transfer between the academic and professional domains within the subject.

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