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dc.contributor.authorHockley, Lukeen
dc.date.accessioned2015-09-03T11:43:32Zen
dc.date.available2015-09-03T11:43:32Zen
dc.date.issued2015-02en
dc.identifier.citationHockley, L. (2015) 'Jungian Screen Studies: ‘Everything is Awesome’…?' International Journal of Jungian Studies. 7 (1) pp 55-66en
dc.identifier.doi10.1080/19409052.2014.958896en
dc.identifier.urihttp://hdl.handle.net/10547/576449en
dc.description.abstractJungian film theory has reached a point where it has started to coalesce into a field. It is perhaps timely to take stock of what constitutes that field, and the extent to which a Jungian orientation to film and media is differentiated from Freudian and Lacanian approaches as well as those derived from traditional phenomenology and Deleuze.
dc.language.isoenen
dc.publisherTaylor & Francisen
dc.relation.urlhttp://www.tandfonline.com/doi/full/10.1080/19409052.2014.958896#abstracten
dc.subjectfilmen
dc.subjecttheoryen
dc.subjectmediaen
dc.subjectLacanen
dc.subjectFreuden
dc.subjectJungen
dc.subjectfilm theoryen
dc.subjectfilm studiesen
dc.titleJungian screen studies: ‘Everything is awesome’…?en
dc.typeArticleen
dc.contributor.departmentUniversity of Bedfordshireen
dc.identifier.journalInternational Journal of Jungian Studiesen
html.description.abstractJungian film theory has reached a point where it has started to coalesce into a field. It is perhaps timely to take stock of what constitutes that field, and the extent to which a Jungian orientation to film and media is differentiated from Freudian and Lacanian approaches as well as those derived from traditional phenomenology and Deleuze.


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