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dc.contributor.authorEdlin, Matthewen
dc.date.accessioned2015-06-04T11:25:55Zen
dc.date.available2015-06-04T11:25:55Zen
dc.date.issued2014-10en
dc.identifier.citationEdlin, M. (2014) 'The impact of personal poetics on a horror writer'. MA by research thesis. University of Bedfordshire.en
dc.identifier.urihttp://hdl.handle.net/10547/556252en
dc.descriptionA thesis submitted to the University of Bedfordshire in partial fulfilment of the requirements for the degree of MA by Research (Creative Writing) Octoberen
dc.description.abstractThe horror genre invites challenges for the creative writer, new texts for its readers. A horror reader can only predict what he’s going to experience; through the glimpses of fear a horror writer might imagine what he’s going to write. This research thesis is an attempt to evaluate the horror genre from several different angles by simply reading and critiquing. It assesses the practice of being a horror writer, and evaluating areas of debate. Areas which carry less significance which need highlighting, a reflection upon personal poetics made between the writer and the text. Ultimately, new arguments were formed on the basis of what’s available in the field already, arguments which could be considered a contribution towards the horror genre.
dc.language.isoenen
dc.publisherUniversity of Bedfordshireen
dc.subjectW800 Imaginative Writingen
dc.subjectcreative writingen
dc.subjecthorroren
dc.subjectpoeticsen
dc.titleThe impact of personal poetics on a horror writeren
dc.typeThesis or dissertationen
html.description.abstractThe horror genre invites challenges for the creative writer, new texts for its readers. A horror reader can only predict what he’s going to experience; through the glimpses of fear a horror writer might imagine what he’s going to write. This research thesis is an attempt to evaluate the horror genre from several different angles by simply reading and critiquing. It assesses the practice of being a horror writer, and evaluating areas of debate. Areas which carry less significance which need highlighting, a reflection upon personal poetics made between the writer and the text. Ultimately, new arguments were formed on the basis of what’s available in the field already, arguments which could be considered a contribution towards the horror genre.


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