An illuminated consciousness: light and surface in drawing rooms, 1800-1850.
MetadataShow full item record
Other TitlesSurface tensions: surface, finish and the meanings of objects.
CitationBarnaby, A. (2012) 'An illuminated consciousness: light and surface in drawing rooms, 1800-1850'', in Kelley, V. & Adamson, G. (eds.) Surface tensions: surface finish and the meanings of objects. Manchester: Manchester University Press, pp.
PublisherManchester University Press
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