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Bye, Daniel
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2012-05-18T07:59:20Z
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The price of everything by Daniel Bye (2011) Directed by Richard Bonham. [Dukes Theatre, Lancaster. 13 October].
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Bye, Daniel
Rebellato, Dan
2012-05-18T07:53:44Z
2012-05-18T07:53:44Z
2012
Bye, D. & Rebellato, D. (2012) #tag2012. York: Pilot Theatre.
http://hdl.handle.net/10547/224513
Pilot Theatre, Theatre Royal, York.
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Bye, Daniel
2012-05-18T07:55:43Z
2012-05-18T07:55:43Z
2008
Full of noise by Daniel Bye (2008) Directed by Daniel Bye. [West Yorkshire Playhouse, Leeds. November].
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Diedrich, Antje
2012-05-18T08:26:29Z
2012-05-18T08:26:29Z
2011
Diedrich, A. (2011) 'Acting out trauma in the Theatre of Embarassment: George Tabori's Shylock Improvisations', Performance Research, 16 (1), pp.142 - 152.
1352-8165
1469-9990
10.1080/13528165.2011.562040
http://hdl.handle.net/10547/224521
Performance Research
en
http://www.tandfonline.com/doi/abs/10.1080/13528165.2011.562040
Archived with thanks to Performance Research
W440 Theatre studies
performing arts
George Tabori
Shylock Improvisations
Shylock
trauma
embarassment
Acting out trauma in the Theatre of Embarassment: George Tabori's Shylock Improvisations
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Diedrich, Antje
2012-05-18T07:49:43Z
2012-05-18T07:49:43Z
2011
Diedrich, A. (2011) '"Last in a long line of literary kleptomaniacs": Intertextuality in Sarah Kane's 4.48 Psychosis', Modern Drama.
http://hdl.handle.net/10547/224511
Modern Drama
Awaiting publication
en
University of Toronto Press
Sarah Kane
Intertextual
'"Last in a long line of literary kleptomaniacs": Intertextuality in Sarah Kane's 4.48 Psychosis'.
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University of Bedfordshire Repository
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Bye, Daniel
2012-05-18T07:52:38Z
2012-05-18T07:52:38Z
2010
Quake by Daniel Bye (2010) Directed by Daniel Bye. [Live Youth Theatre, Newcastle].
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University of Bedfordshire Repository
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oai:uobrep.openrepository.com:10547/2245142012-05-18T08:54:50Zcom_10547_132179col_10547_132260
Kartsaki, Eirini
2012-05-18T07:54:49Z
2012-05-18T07:54:49Z
2011
Kartsaki, E. (2011) 'Writing and re-writing: performance returns', Activate 1 (1) Department of Drama, Theatre and Performance at Roehampton University [Online] Available at: http://www.thisisactivate.net/2011/05/20/writing-and-re-writing/ (Accessed: 17 May 2012)
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oai:uobrep.openrepository.com:10547/2256752020-04-23T07:28:40Zcom_10547_132179col_10547_132260
Biggs, Simon
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Dima, Mariza
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Ekeus, Henrik
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Hawksley, Sue
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Timmons, Wendy
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Wright, Mark
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2012-05-24T11:06:48Z
2012-05-24T11:06:48Z
2010
Biggs, S., Dima, S., Ekeus, H., Hawksley, S. (2009) 'The'H' in HCI: enhancing perception of the interactive through the performative.' Proceedings of the HCI international 2009 conference, San Diego. [Online] Available at:http://link.springer.com/chapter/10.1007%2F978-3-642-02771-0_1
9783642027703
0302-9743
10.1007/978-3-642-02771-0_1
http://hdl.handle.net/10547/225675
Lecture notes in computer science
Motion sensing technologies are well developed at the bio-mechanical (motion capture) and geo-locative (GPS) scales. However, there are many degrees of scale between these extremes and there have been few attempts to seek the integration of systems that were designed for distinct contexts and tasks. The proposition that motivated the Scale project team was that through such systems integration it would be possible to create an enhanced perception of interaction between human participants who might be co-located or remotely engaged, separated in either (or both) time or space. A further aim was to examine how the use of these technologies might inform current s discourse on the performative.
en
SpringerLink
http://link.springer.com/chapter/10.1007%2F978-3-642-02771-0_1
performing arts
interactive environments
motion sensing
multi-modal
scaleable
interactive environments
interdisciplinary research
perception
The 'H' in HCI: enhancing perception of the interactive through the performative.
Book chapter
Meetings and Proceedings
Motion sensing technologies are well developed at the bio-mechanical (motion capture) and geo-locative (GPS) scales. However, there are many degrees of scale between these extremes and there have been few attempts to seek the integration of systems that were designed for distinct contexts and tasks. The proposition that motivated the Scale project team was that through such systems integration it would be possible to create an enhanced perception of interaction between human participants who might be co-located or remotely engaged, separated in either (or both) time or space. A further aim was to examine how the use of these technologies might inform current s discourse on the performative.
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University of Bedfordshire Repository
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Fisher, Austin
2012-06-08T14:55:11Z
2012-06-08T14:55:11Z
2011
Austin, F. (2011) 'Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema'. I.B.Tauris
9781848855786
1848855788
http://hdl.handle.net/10547/228091
en
I.B. Tauris
http://www.austinfisher.me.uk/publications/radical-frontiers-in-the-spaghetti-western/
http://library.beds.ac.uk/record=b1471942~S20
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P303 Film studies
Spaghetti western
Radical frontiers in the spaghetti western: politics, violence and popular Italian cinema
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University of Bedfordshire Repository
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oai:uobrep.openrepository.com:10547/2280512016-01-26T10:21:14Zcom_10547_132179col_10547_132255col_10547_132260
Fisher, Austin
2012-06-08T10:55:41Z
2012-06-08T10:55:41Z
2010-06
Fisher, A. (2010) 'Out west, down south: gazing at America in reverse shot through Damiano Damiani's "Quien sabe?"' The Italianist 30 (2):183-201
0261-4340
1748-619X
10.1179/026143410X12724449730097
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The Italianist
A close analysis of Damiano Damiani's political Spaghetti Western "Quien sabe" (1966), examining how the film seeks to interrogate the Hollywood Western's affirmative ideologies and inscribe the format with countercultural radicalism. The article also identifies the inadvertent subtexts within the film that bespeak the cultural confusions in 1960s Italian politics.
en
Maney Publishing
http://www.maneyonline.com/doi/abs/10.1179/026143410X12724449730097
P303 Film studies
R330 Italian Society and Culture
R300 Italian studies
Out west, down South: gazing at America in reverse shot through Damiano Damiani's "Quien sabe?"
Article
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University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
oai:uobrep.openrepository.com:10547/2294542016-10-20T10:33:49Zcom_10547_132179col_10547_132260
Brake, David R.
0000-0003-0580-1918
-1
2012-06-18T14:23:45Z
2012-06-18T14:23:45Z
2008
Brake, David R. (2008) Shaping the "me" in MySpace: the framing of profiles on a social network site. in: Lundby, K. (ed.) Digital storytelling, mediatized stories: self-representations in New Media. New York: Lang. pp285-300
9781433102738
http://hdl.handle.net/10547/229454
en
Lang
MySpace
social networking
Shaping the "me" in MySpace: the framing of profiles on a social network site.
Book chapter
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Hockley, L. (2011) "The third image: depth psychology and the cinematic experience", in Hauke, C. and Hockley, L. (eds.) Jung and film 2. The return: further post-Jungian takes on the moving image. London: Routledge, pp.132-147.
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The third image: depth psychology and the cinematic experience
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Hockley, Luke
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Hockley, L. (2010) "Losing the plot: a story of individuation and the movies", Quadrant:, 40 (1), pp.9-24.
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C.G. Jung Foundation for Analytical Psychology.
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Losing the plot: a story of individuation and the movies
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Hockley, L. (2010) "Doctoring individuation: Gregory House, physician, detective or shaman? In Gardner, L. and Hockley, L. (eds.) "House: the wounded healer on television": Jungian and post Jungian reflections. London: Routledge, pp.11-26.
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Larrea, Carlota
2012-11-05T17:36:10Z
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2010
Larrea, C. (2010) "Consciousness raising for the 21st century: feminist websites and postfeminism online" in O'Byrne, P., Carty, G., and Thornton, N. (eds.) (2010) Transcultural encounters among women: redrawing boundaries in Hispanic and Lusophone art, literature and film. Newcastle Upon Tyne: Cambridge Scholars Publishing. pp35-50
9781443820738
http://hdl.handle.net/10547/251056
en
Cambridge Scholars Publishing
Consciousness raising for the 21st century: feminist websites and postfeminism online
Transcultural encounters amongst women: redrawing boundaries in Hispanic and Lusophone art, literature and film
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Larrea, Carlota
University of Bedfordshire
2013-04-24T09:47:17Z
2013-04-24T09:47:17Z
2012
Larrea, C. (2012) "Globalization, regional television and national identity: the case of Vaya Semanita/what a week", "International journal of Iberian Studies", 25 (2), pp.81-93.
1364-971X
http://dx.doi.org/10.1386/ijis.25.2.81_1
http://hdl.handle.net/10547/283611
International Journal of Iberian Studies
en
Intellect
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Basque country
comedy
globalization
localization
national identity
television
Globalization, regional television and national identity: the case of Vaya Semanita/what a week
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Larrea, Carlota
c1a42fca8c8a11cd987c6b38731fc384
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2013-07-02T11:31:04Z
2013-07-02T11:31:04Z
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Larrea, C. (2011) 'La Niña santa', Senses of Cinema, 60
1443-4059
http://hdl.handle.net/10547/295065
Senses of Cinema
Annotation on film 'La Niña santa' by Lucrecia Martel, 2004
en
Senses of Cinema Inc.
http://sensesofcinema.com/2011/cteq/la-nina-santa/
La Niña santa (The Holy Girl)
Article
Annotation on film 'La Niña santa' by Lucrecia Martel, 2004
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Hockley, Luke
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Hockley, L. (2010) 'Introduction', in Helena Bassil-Morozow (ed.) Tim Burton: The Monster and the Crowd. A Post-Jungian Perspective. London: Routledge.
9780415489713
http://hdl.handle.net/10547/295984
en
Routledge
http://www.routledge.com/books/details/9780415489713/
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University of Bedfordshire Repository
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oai:uobrep.openrepository.com:10547/2959602020-04-23T07:30:26Zcom_10547_132179col_10547_132260
Hockley, Luke
8a99116ab7d0f97fe994807d768bacac
600
2013-07-15T08:34:58Z
2013-07-15T08:34:58Z
2007
Hockley, L. (2007) 'Frames of Mind: A Post-Jungian Look at Film, Television and Technology', Intellect
9781841501710
http://hdl.handle.net/10547/295960
Frames of Mind provides a fresh and stimulating introduction to the world of Post-Jungian film and television studies. To orientate the reader the book starts with an overview of analytical psychology and how it has been used to analyze films. From that starting point it broadens out to include topics such as: why we have genuine emotional responses to films which we know to be unreal; how and why we watch television; the unconscious motifs of advertising; and the psychological role that technology plays in contemporary society.
en
Intellect
http://www.intellectbooks.co.uk/books/view-Book,id=4591/
Frames of mind: a post-Jungian look at film, television and technology
Book
Frames of Mind provides a fresh and stimulating introduction to the world of Post-Jungian film and television studies. To orientate the reader the book starts with an overview of analytical psychology and how it has been used to analyze films. From that starting point it broadens out to include topics such as: why we have genuine emotional responses to films which we know to be unreal; how and why we watch television; the unconscious motifs of advertising; and the psychological role that technology plays in contemporary society.
LICENSE
license.txt
license.txt
text/plain
1691
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2020-04-23 07:30:26.15
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/2950472020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Larrea, Carlota
c1a42fca8c8a11cd987c6b38731fc384
-1
2013-07-02T11:27:57Z
2013-07-02T11:27:57Z
2012
Larrea, C. (2012) 'Nightmare in the Sun: Matteo Garrone's Gomorrah', Senses of Cinema, 65, online
1443-4059
http://hdl.handle.net/10547/295047
Senses of Cinema
This shorthand evaluation of the film Gomorrah by Matteo Garrone, 2008
en
Senses of Cinema Inc.
http://sensesofcinema.com/2012/cteq/nightmare-in-the-sun-mateo-garrones-gomorrah/
Nightmare in the sun: Matteo Garrone's Gomorrah
Article
This shorthand evaluation of the film Gomorrah by Matteo Garrone, 2008
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/295047/1/license.txt
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2020-04-23 07:30:25.717
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/2950482020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Larrea, Carlota
c1a42fca8c8a11cd987c6b38731fc384
-1
2013-07-02T11:29:16Z
2013-07-02T11:29:16Z
2012
Larrea, C. (2012) 'The American Friend', Senses of Cinema, 62
1443-4059
http://hdl.handle.net/10547/295048
Senses of Cinema
Annotations on film Der Amerikanische Freund (The American Friend, 1977) by Wim Wenders
en
Senses of Cinema Inc.
http://sensesofcinema.com/2012/cteq/american-friend/
The American Friend
Article
Annotations on film Der Amerikanische Freund (The American Friend, 1977) by Wim Wenders
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/295048/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
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oai:uobrep.openrepository.com:10547/295048
2020-04-23 07:30:25.786
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/2959832020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Hauke, Christopher
467ee1f433625fb5b253ec7787b3f3f6
-1
Hockley, Luke
8a99116ab7d0f97fe994807d768bacac
600
2013-07-15T08:33:25Z
2013-07-15T08:33:25Z
2011
Hauke, C. & Hockley, L. (2011) 'Jung and Film II: The return, Further Takes on the Moving Image', Routledge,UK
9780415488976
http://hdl.handle.net/10547/295983
Since Jung and Film was first published in 2001, Jungian writing on the moving image in film and television has accelerated. Jung and Film II: The Return provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives.
en
Routledge
http://www.routledge.com/books/details/9780415488976/
Jung and film II: the return : further post-Jungian takes on the moving image
Book
Since Jung and Film was first published in 2001, Jungian writing on the moving image in film and television has accelerated. Jung and Film II: The Return provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives.
LICENSE
license.txt
license.txt
text/plain
1691
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b79a1529374c8d02a5b1f30b27d2425e
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10547/295983
oai:uobrep.openrepository.com:10547/295983
2020-04-23 07:30:25.963
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/2950642020-04-23T07:30:26Zcom_10547_132179col_10547_132260
Hockley, Luke
8a99116ab7d0f97fe994807d768bacac
600
Gardner, Leslie
0cca9a518cc0877622c1f73945c3db05
-1
2013-07-02T11:26:17Z
2013-07-02T11:26:17Z
2010
Hockley, L & Gardner, L. (2010) 'House: The Wounded Healer on Television. Jungian and Post-Jungian Reflections', New York: Routledge
9780415479134
http://hdl.handle.net/10547/295064
House: The Wounded Healer on Television employs a Jungian perspective to examine the psychological construction of the series and its namesake, Dr Gregory House. The book also investigates the extent to which the continued popularity of House MD has to do with its representation of deeply embedded cultural concerns
en
Routledge
http://www.routledgementalhealth.com/books/details/9780415479134/
House: the wounded healer on television : Jungian and post-Jungian reflections
Book
House: The Wounded Healer on Television employs a Jungian perspective to examine the psychological construction of the series and its namesake, Dr Gregory House. The book also investigates the extent to which the continued popularity of House MD has to do with its representation of deeply embedded cultural concerns
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/295064/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
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10547/295064
oai:uobrep.openrepository.com:10547/295064
2020-04-23 07:30:26.056
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5764472020-04-23T07:32:58Zcom_10547_132179col_10547_132260
Hockley, Luke
8a99116ab7d0f97fe994807d768bacac
600
University of Bedfordshire
2015-09-03T11:39:24Z
2015-09-03T11:39:24Z
2013-10
Hockley, L. (2013) 'Somatic cinema: the relationship between body and screen – a Jungian perspective'. London: Routledge.
9780415669238
9780415669221
http://hdl.handle.net/10547/576447
Films can hold personal psychological meanings that are often at odds with their narratives. Examining the intersections between mental health and the cinema, Somatic Cinema represents the cutting edge of film theory, evaluating the significance of this phenomenon both in therapy and in the everyday world.
en
Routledge
https://www.routledge.com/products/9780415669238
Somatic cinema: the relationship between body and screen – a Jungian perspective
Book
Films can hold personal psychological meanings that are often at odds with their narratives. Examining the intersections between mental health and the cinema, Somatic Cinema represents the cutting edge of film theory, evaluating the significance of this phenomenon both in therapy and in the everyday world.
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/576447/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
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10547/576447
oai:uobrep.openrepository.com:10547/576447
2020-04-23 07:32:58.607
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5764572020-04-23T07:33:02Zcom_10547_132179col_10547_132260
Hockley, Luke
8a99116ab7d0f97fe994807d768bacac
600
Fadina, Nadi
aa2a406ee99a13d5930320ac24caf3eb
-1
University of Bedfordshire
2015-09-03T11:36:39Z
2015-09-03T11:36:39Z
2015-06
Hockley, L. and Fadini, N. (2015) 'The happiness illusion: how the hedia sold us a fairytale'. London: Routledge.
9780415728706
9780415728690
http://hdl.handle.net/10547/576457
The Happiness Illusion explores how the metaphorical insights of fairy-tales have been literalised and turned into commodities. In so doing, their ability to educate and entertain has largely been lost. Instead advertising and television sell us products that offer to magically transform the way we look, how we age, where we live –both in the city and the countryside, the possibility of new jobs, and so forth. All of these are supposed to make us happy. But despite the allure of ‘retail therapy’ modern magic has lost its spell.
en
Routledge
https://www.routledge.com/products/9780415728706
The happiness illusion: how the media sold us a fairytale
Book
The Happiness Illusion explores how the metaphorical insights of fairy-tales have been literalised and turned into commodities. In so doing, their ability to educate and entertain has largely been lost. Instead advertising and television sell us products that offer to magically transform the way we look, how we age, where we live –both in the city and the countryside, the possibility of new jobs, and so forth. All of these are supposed to make us happy. But despite the allure of ‘retail therapy’ modern magic has lost its spell.
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/576457/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
1
false
10547/576457
oai:uobrep.openrepository.com:10547/576457
2020-04-23 07:33:02.734
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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Hockley, Luke
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Hockley, L. (2015) 'Snow White and the Huntsman: The fairytale of gender and the female warrior'. In Hockley, L. and Fadina N. (eds) 'The Happiness Illusion: How the media sold us a fairytale'. London: Routledge. pp 33-39.
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Chapter 2 in The Happiness Illusion: How the Media Sell us a Fairytale.
en
https://www.routledge.com/products/9780415728706
Snow White and the Huntsman: the fairytale of gender and the female warrior.
Book chapter
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University of Bedfordshire Repository
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Hockley, Luke
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2015-09-03T11:43:32Z
2014-10-01
Hockley, L. (2015) 'Jungian Screen Studies: ‘Everything is Awesome’…?' International Journal of Jungian Studies. 7 (1) pp 55-66
10.1080/19409052.2014.958896
http://hdl.handle.net/10547/576449
International Journal of Jungian Studies
Jungian film theory has reached a point where it has started to coalesce into a field. It is perhaps timely to take stock of what constitutes that field, and the extent to which a Jungian orientation to film and media is differentiated from Freudian and Lacanian approaches as well as those derived from traditional phenomenology and Deleuze.
en
Taylor & Francis
http://www.tandfonline.com/doi/full/10.1080/19409052.2014.958896#abstract
film
theory
media
Lacan
Freud
Jung
film theory
film studies
Jungian screen studies: ‘Everything is awesome’…?
Article
Jungian film theory has reached a point where it has started to coalesce into a field. It is perhaps timely to take stock of what constitutes that field, and the extent to which a Jungian orientation to film and media is differentiated from Freudian and Lacanian approaches as well as those derived from traditional phenomenology and Deleuze.
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University of Bedfordshire Repository
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oai:uobrep.openrepository.com:10547/5768162018-03-27T09:56:46Zcom_10547_132179col_10547_132260
Hockley, Luke
0000-0002-0123-8980
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2015
Hockley, L (2015) 'Therapy and cinema: making images and finding meanings'. In Piotrowska, A. (ed) 'Embodied encounters' Hove: Routledge
9781315758541
1138795259
http://hdl.handle.net/10547/576816
Chapter 6 in Embodied Encounters
en
Routledge
Therapy and cinema: making images and finding meanings
Embodied encounters
Book chapter
LICENSE
license.txt
license.txt
text/plain
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University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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Larrea, Carlota
2015-09-04T09:03:53Z
2015-09-04T09:03:53Z
2014-10
Larrea, C. (2014) 'Pina.' Cinematheque Annotations on Film 72 Available at: http://sensesofcinema.com/2014/cteq/pina/
http://hdl.handle.net/10547/576813
Online publication available at Cinematheque Annotations on Film, http://www.sensesofcinema.com
en
http://sensesofcinema.com/2014/cteq/pina/
Wim Wenders
film studies
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Pina Bausch
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oai:uobrep.openrepository.com:10547/5768192016-03-10T12:18:57Zcom_10547_132179col_10547_132260
Larrea, Carlota
2015-09-04T12:53:32Z
2015-09-04T12:53:32Z
2014-01
Larrea, C (2014) 'Faithless' Cinematique Annotaitons on Film. Available at: http://sensesofcinema.com/2013/cteq/faithless/
http://hdl.handle.net/10547/576819
Cinematique Annotaitons on Film
Online film review available at Cinematique Annotations on Film, http://www.sensesofcinema.com
en
Senses of Cinema Inc.
http://sensesofcinema.com/2013/cteq/faithless/
film studies
Faithless
Trolösa
Ingmar Bergman
Swedish cinema
Faithless
Article
LICENSE
license.txt
license.txt
text/plain
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Piotrowska, Agnieszka
0000-0001-5980-6891
600
2015-09-10T12:11:41Z
2015-09-10T12:11:41Z
2014
Piotrowska, A. (2014) 'Psychoanalysis and Ethics in Documentary Film' London: Routledge.
9780415813471
9780415813495
http://hdl.handle.net/10547/577077
en
Routledge
https://www.routledge.com/products/9780415813495
Psychoanalysis and ethics in documentary film
Book
LICENSE
license.txt
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oai:uobrep.openrepository.com:10547/5770782020-04-23T07:32:54Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
184dda43c196975f952f488c2ab1eb7e
600
University of Bedfordshire
2015-09-10T12:30:52Z
2015-09-10T12:30:52Z
2014-05-09
Piotrowska, A (2014) 'Zero Dark Thirty – ‘war autism’ or a Lacanian ethical act?' New Review of Film and Television Studies 12 (2) pp.143-155
1740-0309
1740-7923
10.1080/17400309.2014.908269
http://hdl.handle.net/10547/577078
New Review of Film and Television Studies
The paper discusses Kathryn Bigelow's Zero Dark Thirty (2012) through the lens of Lacanian ethics as described in Seminar VII. I argue that Maya's single-minded determination is akin to that of Sophocles' Antigone as presented by Lacan. In particular in her decision to see through her commitment to a cause ‘beyond the limit’ as Lacan would put it, she echoes Antigone's ‘inflexibility’ and even her ‘monstrous’ unfeminine and ‘raw’ stubbornness to her mission. This stance, however, is different from a lack of empathy suggested by some critics and scholars. Instead, it constitutes an ethical act within the Lacanian paradigm. I argue that Maya's gender and her feminine beauty defiant in the world of patriarchal procedures also resonates with the position of Antigone. I claim further that psychoanalysis in its emphasis on the unknowingness of subjects and situations has still a lot to offer to film studies, beyond its post-1968 structuralist readings.
en
Taylor & Francis
http://www.tandfonline.com/doi/abs/10.1080/17400309.2014.908269
Archived with thanks to New Review of Film and Television Studies
Zero Dark Thirty
Antigone
psychoanalysis
ethics
Lacan
'Zero Dark Thirty' – ‘war autism’ or a Lacanian ethical act?
Article
The paper discusses Kathryn Bigelow's Zero Dark Thirty (2012) through the lens of Lacanian ethics as described in Seminar VII. I argue that Maya's single-minded determination is akin to that of Sophocles' Antigone as presented by Lacan. In particular in her decision to see through her commitment to a cause ‘beyond the limit’ as Lacan would put it, she echoes Antigone's ‘inflexibility’ and even her ‘monstrous’ unfeminine and ‘raw’ stubbornness to her mission. This stance, however, is different from a lack of empathy suggested by some critics and scholars. Instead, it constitutes an ethical act within the Lacanian paradigm. I argue that Maya's gender and her feminine beauty defiant in the world of patriarchal procedures also resonates with the position of Antigone. I claim further that psychoanalysis in its emphasis on the unknowingness of subjects and situations has still a lot to offer to film studies, beyond its post-1968 structuralist readings.
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/577078/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
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10547/577078
oai:uobrep.openrepository.com:10547/577078
2020-04-23 07:32:54.227
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5770792020-04-23T07:32:55Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
184dda43c196975f952f488c2ab1eb7e
600
2015-09-10T13:01:15Z
2015-09-10T13:01:15Z
2014-03-01
Piotrowska, A (2014) 'Mourning and melancholia at the Harare International Festival of the Arts'. Journal of African Media Studies 6 (1) pp. 111-130
2040-199X
1751-7974
10.1386/jams.6.1.111_1
http://hdl.handle.net/10547/577079
Journal of African Media Studies
This article has a twofold purpose: first, I look at the Harare International Festival of the Arts (HIFA) as a site of mourning and melancholia – to use the phrase that was first used by Sigmund Freud in his seminal paper and which was reformulated more recently by a postcolonial scholar Ranjana Khanna. I suggest that unconscious mechanisms, which are expressions of loss on the part of both black and white Zimbabweans, are acted out in the festival. In particular, on the part of white Zimbabweans it might be an expression of the so-called ‘white alienation’ experienced after the loss of domination. Second, I also look at assertions of a feminist academic, Sara Ahmed, who claims in her book Embodied Strangers that it is difficult, if at all possible, to circumvent the embodied and cultural context of an encounter between a representative of a western culture and the Other. I present a case study of the opening show at HIFA 2011, which seems to confirm this theory. However, I also suggest that it might be possible to subvert this expected narrative through a Winnicottian notion of a space for creativity and play. I look at two different examples of such encounters and cite the poem by Charmaine Mujeri in which she describes her hybrid identity.
en
Intellect
http://openurl.ingenta.com/content/xref?genre=article&issn=2040-199X&volume=6&issue=1&spage=111
Archived with thanks to Journal of African Media Studies
Zimbabwe
(post) and (de)-colonial discourse
embodiment
psychoanalysis
trickster
mourning
melancholia
melancholy
Mourning and melancholia at the Harare International Festival of the Arts
Article
This article has a twofold purpose: first, I look at the Harare International Festival of the Arts (HIFA) as a site of mourning and melancholia – to use the phrase that was first used by Sigmund Freud in his seminal paper and which was reformulated more recently by a postcolonial scholar Ranjana Khanna. I suggest that unconscious mechanisms, which are expressions of loss on the part of both black and white Zimbabweans, are acted out in the festival. In particular, on the part of white Zimbabweans it might be an expression of the so-called ‘white alienation’ experienced after the loss of domination. Second, I also look at assertions of a feminist academic, Sara Ahmed, who claims in her book Embodied Strangers that it is difficult, if at all possible, to circumvent the embodied and cultural context of an encounter between a representative of a western culture and the Other. I present a case study of the opening show at HIFA 2011, which seems to confirm this theory. However, I also suggest that it might be possible to subvert this expected narrative through a Winnicottian notion of a space for creativity and play. I look at two different examples of such encounters and cite the poem by Charmaine Mujeri in which she describes her hybrid identity.
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/577079/1/license.txt
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10547/577079
oai:uobrep.openrepository.com:10547/577079
2020-04-23 07:32:55.665
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5842602020-12-15T12:35:04Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
184dda43c196975f952f488c2ab1eb7e
600
2015-12-21T09:27:10Z
2015-12-21T09:27:10Z
2015-05-01
Lovers In Time or how we didn't get arrested in Harare! (2015) Piotrowska, A. [Film]
http://hdl.handle.net/10547/584260
Film written, directed and produced by Agnieszka Piotrowska. Details available at: https://loversintime.wordpress.com/press/ .
en
Lovers in time : or how we didn't get arrested in Harare!
Other
LICENSE
license.txt
license.txt
text/plain
1691
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b79a1529374c8d02a5b1f30b27d2425e
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10547/584260
oai:uobrep.openrepository.com:10547/584260
2020-12-15 12:35:04.665
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5770802018-06-19T10:19:25Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
0000-0001-5980-6891
600
2015-09-10T13:02:40Z
2015-09-10T13:02:40Z
2015
Piotrowska, A (2015) 'Embodied Encounters: New approaches to psychoanalysis and cinema'. London: Routledge
9781138795259
9781138795242
http://hdl.handle.net/10547/577080
en
Routledge
https://www.routledge.com/products/9781138795259
Embodied encounters: new approaches to psychoanalysis and cinema
Book
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/577080/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
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oai:uobrep.openrepository.com:10547/577080
2018-06-19 10:19:25.565
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5812662016-03-10T12:21:45Zcom_10547_132179col_10547_132260
Larrea, Carlota
2015-10-27T10:59:22Z
2015-10-27T10:59:22Z
2015-05
Larrea, C. (2015) 'A portrait of lives constrained: Zhang Yimou’s 'Ju Dou'' Cinematheque Annotations on Film. Available at: http://sensesofcinema.com/2015/cteq/ju-dou-zhang-yimous/
http://hdl.handle.net/10547/581266
Online film review available at Cinematique Annotations on Film, http://www.sensesofcinema.com
en
Senses of Cinema Inc.
http://sensesofcinema.com/2015/cteq/ju-dou-zhang-yimous/
P303 Film studies
Zhang Yimou
Ju Dou
Chinese film
Chinese cinema
A portrait of lives constrained: Zhang Yimou’s 'Ju Dou'
Article
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/581266/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
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10547/581266
oai:uobrep.openrepository.com:10547/581266
2016-03-10 12:21:45.0
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5812652020-04-23T07:32:59Zcom_10547_132179col_10547_132260
Larrea, Carlota
c1a42fca8c8a11cd987c6b38731fc384
-1
University of Bedfordshire
2015-10-27T10:57:14Z
2015-10-27T10:57:14Z
2015
Larrea, C (2015) 'The Alhondiga Project: Glocalising Culture for the Community’, MECCSA Conference 2015, Northumbria University, Northumbria, 7-9 January. Abstract available at: http://meccsa2015.co.uk/wp-content/uploads/2014/11/abstracts-for-panels-and-papers.pdf
http://hdl.handle.net/10547/581265
Conference proceedings from the MeCCSA 2015 conference, Northumbria University.
Positioned as a local, community alternative to the Guggenheim Museum, the Alhondiga cultural centre is one of the many projects of urban regeneration through culture in the city of Bilbao, Northern Spain. It is a multipurpose leisure and arts centre extending over 43,000 square meters, built in the early XXth century as a wine warehouse and redesigned recently by Philip Starck. While the Guggenheim Museum has maintained its international outlook and connotations, oriented towards cultural tourism and being filled primarily by tourists visiting the city, the Alhondiga project is a usable, open space used primarily by the local community, offering an experience that straddles the local and the global, the traditional and the contemporary, the everyday and the cutting edge achieved through a mix of material space design and cultural programming. The presentation will analyse how elements of material and immaterial culture blend in order to foster education, leisure and citizenship agendas in a community which in the past was culturally inward looking. It will evaluate the contrasting understandings of culture and its consumers that emerge from the venue and its programme and the attempt to combine the local and the global both in content and in terms of audience appeal and engagement. It will do so through a quantitative and qualitative analysis of the different activities and events, both regular and occasional, over a period of two years, and what they reveal about how community inclusivity and engagement are targeted through cultural programming.
en
http://meccsa2015.co.uk/wp-content/uploads/2014/11/abstracts-for-panels-and-papers.pdf
The Alhondiga project: glocalising culture for the community
Conference papers, meetings and proceedings
Positioned as a local, community alternative to the Guggenheim Museum, the Alhondiga cultural centre is one of the many projects of urban regeneration through culture in the city of Bilbao, Northern Spain. It is a multipurpose leisure and arts centre extending over 43,000 square meters, built in the early XXth century as a wine warehouse and redesigned recently by Philip Starck. While the Guggenheim Museum has maintained its international outlook and
connotations, oriented towards cultural tourism and being filled primarily by tourists visiting the
city, the Alhondiga project is a usable, open space used primarily by the local community, offering an experience that straddles the local and the global, the traditional and the contemporary, the everyday and the cutting edge achieved through a mix of material space design and cultural
programming. The presentation will analyse how elements of material and immaterial culture blend in order to foster education, leisure and citizenship agendas in a community which in the past was culturally inward looking. It will evaluate the contrasting understandings of culture and
its consumers that emerge from the venue and its programme and the attempt to combine the local and the global both in content and in terms of audience appeal and engagement. It will do so through a quantitative and qualitative analysis of the different activities and events, both regular and occasional, over a period of two years, and what they reveal about how community inclusivity and engagement are targeted through cultural programming.
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/581265/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
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10547/581265
oai:uobrep.openrepository.com:10547/581265
2020-04-23 07:32:59.627
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5948352016-01-26T09:37:34Zcom_10547_132179col_10547_132260
Randell, Karen
2016-01-26T09:37:33Z
2016-01-26T09:37:33Z
2011
Randell, K. (2011) '"Now the Gloves Come Off": The Problematic of "Enhanced Interrogation Techniques" in Battlestar Galactica'. Cinema Journal 51 (1):168
1527-2087
10.1353/cj.2011.0066
http://hdl.handle.net/10547/594835
Cinema Journal
en
University of Texas Press
http://muse.jhu.edu/content/crossref/journals/cinema_journal/v051/51.1.randell.html
Archived with thanks to Cinema Journal
Battlestar Galactica
"Now the gloves come off": the problematic of "enhanced interrogation techniques" in Battlestar Galactica
Article
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/594835/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
1
false
10547/594835
oai:uobrep.openrepository.com:10547/594835
2016-01-26 09:37:34.0
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5948542016-01-26T09:52:10Zcom_10547_132179col_10547_132260
Randell, Karen
2016-01-26T09:52:09Z
2016-01-26T09:52:09Z
2013
Randell, K. (2013) 'Celebrity trauma: the death of Heath Ledger and The imaginarium of Doctor Parnassus' in Birkenstein, J., Froula, A., Randell, K. (eds) 'The cinema of Terry Gilliam: it's a mad world'. Columbia University Press.
9780231165358
9780231165341
9780231850384
http://hdl.handle.net/10547/594854
en
Columbia University Press
http://cup.columbia.edu/book/the-cinema-of-terry-gilliam/9780231165341
Celebrity trauma: the death of Heath Ledger and The imaginarium of Doctor Parnassus
Book chapter
LICENSE
license.txt
license.txt
text/plain
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University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5948382020-04-23T08:41:03Zcom_10547_132179col_10547_132260
Hallett, Lawrie
2e98f9a8a01b92b224c1678c655f3134
600
Hintz, Arne
54b2ecfa9dcd77525e2abfae1f0cd6f7
-1
University of Westminster
Central European University
2016-01-26T09:57:41Z
2016-01-26T09:57:41Z
2010-05
Hallett, L., Hintz, A. (2010) 'Digital broadcasting – Challenges and opportunities for European community radio broadcasters' Telematics and Informatics 27 (2):151
0736-5853
10.1016/j.tele.2009.06.005
http://hdl.handle.net/10547/594838
Telematics and Informatics
Access to broadcast infrastructure is vital for community radio services, however the switch-over from analogue to digital, as envisaged by European policy-makers, creates challenges for such stations. In this article, we will set out the general environment within which the transition to digital is occurring, illustrate the current state of the digital migration debate, identify potential difficulties for community radios, but also highlight opportunities that digital technologies may provide. Challenges include the historical tendency of European policy-makers to prioritise the requirements of larger Public Service and commercial broadcasters which has resulted in the promotion of platforms such as DAB that are not designed to cater for smaller-scale local and non-profit’ media. Furthermore the existence of a variety of jurisdiction-specific approaches to digital switch-over in Europe creates uncertainty as to the emerging technical and policy environment.
en
Elsevier
http://linkinghub.elsevier.com/retrieve/pii/S0736585309000355
Archived with thanks to Telematics and Informatics
digital broadcasting
Dab
media policy
community radio
Digital broadcasting – challenges and opportunities for European community radio broadcasters
Article
Access to broadcast infrastructure is vital for community radio services, however the switch-over from analogue to digital, as envisaged by European policy-makers, creates challenges for such stations. In this article, we will set out the general environment within which the transition to digital is occurring, illustrate the current state of the digital migration debate, identify potential difficulties for community radios, but also highlight opportunities that digital technologies may provide.
Challenges include the historical tendency of European policy-makers to prioritise the requirements of larger Public Service and commercial broadcasters which has resulted in the promotion of platforms such as DAB that are not designed to cater for smaller-scale local and non-profit’ media. Furthermore the existence of a variety of jurisdiction-specific approaches to digital switch-over in Europe creates uncertainty as to the emerging technical and policy environment.
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2020-04-23 08:41:03.302
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5948552016-01-26T10:01:42Zcom_10547_132179col_10547_132260
Cola, Marta
Prario, Benedetta
2016-01-26T10:01:41Z
2016-01-26T10:01:41Z
2009
Cola, M., Prario, B. (2009) 'Dotazione e uso dei media: la Svizzera italiana nel contesto elvetico'. Peter Lang.
9783039118137
http://hdl.handle.net/10547/594855
it
Peter Lang
http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=52746&cid=809
Dotazione e uso dei media: la Svizzera italiana nel contesto elvetico
Book
LICENSE
license.txt
license.txt
text/plain
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2016-01-26 10:01:42.0
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5948492020-04-23T07:36:42Zcom_10547_132179col_10547_132260
Ritzenhoff, Karen A.
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-1
Randell, Karen
bebf7aa6e10d57e6100390723eb35358
-1
2016-01-26T11:57:06Z
2016-01-26T11:57:06Z
2012
Ritzenhoff, K., Randell, K. (eds) 'Screening the dark side of love: from Euro-horror to American cinema'. Palgrave.
9781137096630
9780230341548
10.1057/9781137096630
http://hdl.handle.net/10547/594849
How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
en
Palgrave MacMillan
https://www.palgrave.com/gb/book/9780230341548
Screening the dark side of love: from Euro-horror to American cinema
Book
How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
LICENSE
license.txt
license.txt
text/plain
1691
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2020-04-23 07:36:42.892
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/5948512020-04-23T07:33:32Zcom_10547_132179col_10547_132260
Dhoest, Alexander
4a5c04e014cb66435a818ab74cb90cf6
-1
Cola, Marta
eed200e28c3a80796a2d950b633c2c36
-1
Brusa, Manuel Mauri
70e16eac8a4adfc386f8546dc147d968
-1
Lemish, Dafna
96d4f0b4396085c6ace4eff6e556f61c
-1
University of Antwerp
Università della Svizzera Italiana
Southern Illinois University
University of Antwerp
Università della Svizzera Italiana
Southern Illinois University
2016-01-26T12:01:11Z
2016-01-26T12:01:11Z
2012-09
Dhoest, A. et al (2012) 'Studying Ethnic Minorities' Media Uses: Comparative Conceptual and Methodological Reflections'. Communication, Culture & Critique 5 (3):372
1753-9129
10.1111/j.1753-9137.2012.01124.x
http://hdl.handle.net/10547/594851
Communication, Culture & Critique
This paper discusses conceptual and methodological issues in the study of ethnic minorities' media uses. It does so by drawing on research experiences in different national contexts (Israel, Switzerland, and Belgium), looking for similarities but also differences related to the specific national contexts as well as the research designs and the ethnic groups involved. Starting from a broad reflection on ethnicity, the paper subsequently tackles issues such as the operational definition of ethnicity in ethnic labels, qualitative sampling procedures, language use, and problems of translation, as well as personal research experiences. By comparing national contexts and research experiences, we find recurring issues with specific national inflections, making us more aware of the specificity of ethnic matters in different context
en
Wiley
http://doi.wiley.com/10.1111/j.1753-9137.2012.01124.x
ethnic minorities
media use
Studying ethnic minorities' media uses: comparative conceptual and methodological reflections
Article
This paper discusses conceptual and methodological issues in the study of ethnic minorities' media uses. It does so by drawing on research experiences in different national contexts (Israel, Switzerland, and Belgium), looking for similarities but also differences related to the specific national contexts as well as the research designs and the ethnic groups involved. Starting from a broad reflection on ethnicity, the paper subsequently tackles issues such as the operational definition of ethnicity in ethnic labels, qualitative sampling procedures, language use, and problems of translation, as well as personal research experiences. By comparing national contexts and research experiences, we find recurring issues with specific national inflections, making us more aware of the specificity of ethnic matters in different context
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/594851/1/license.txt
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2020-04-23 07:33:32.254
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/6011052018-05-29T11:34:00Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-10T11:09:43Z
2016-03-10T11:09:43Z
2015
Randell, K., (2015) ‘Preface’. In Tholas-Disset, C., and Ritzenhoff, K. (eds) 'Humor, entertainment and popular culture during World War I'. London: Palgrave MacMillan
9781137449092
9781137449092
10.1057/9781137436436
http://hdl.handle.net/10547/601105
Preface to book
en
Palgrave MacMillan
https://www.palgrave.com/gp/book/9781137449092
World War I
popuar culture
Humor, entertainment, and popular culture during World War I: preface
Book chapter
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/601105/1/license.txt
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10547/601105
oai:uobrep.openrepository.com:10547/601105
2018-05-29 11:34:00.855
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/6010872018-05-29T11:31:23Zcom_10547_132179col_10547_132260
Randell, Karen
Weedon, Alexis
0000-0002-4572-8463
600
2016-03-10T11:07:08Z
2016-03-10T11:07:08Z
2015
Randell, K., Weedon, A. (2015) "Reconfiguring Elinor Glyn: Ageing female experience and the origins of the ‘It Girl' ’’. In Jermyn, D., Holmes, S. (Eds.) 'Women, Celebrity and the Cultures of Ageing'. London: Palgrave
9781137495112
9781137495129
10.1057/9781137495129
http://hdl.handle.net/10547/601087
Chapter 2 in book
en
Palgrave MacMillan
https://www.palgrave.com/gb/book/9781137495112
women
ageing
celebrity
Elinor Glyn
Reconfiguring Elinor Glyn: ageing female experience and the origins of the ‘it girl’
Book chapter
LICENSE
license.txt
license.txt
text/plain
1691
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oai:uobrep.openrepository.com:10547/601087
2018-05-29 11:31:23.92
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/6011032018-05-29T11:29:15Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-10T10:59:42Z
2016-03-10T10:59:42Z
2015
Randell, K., (2015) ‘The end of the world: loss and redemption in Four Horsemen of the Apocalypse (1921)’. In Ritzenhoff, K., Krewani, A (Eds.) 'The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World'. Lanham, MA: Roman & Littlefield
1442260270
9781442260276
http://hdl.handle.net/10547/601103
Chapter 2 in book
en
Rowman and Littlefield
https://rowman.com/ISBN/9781442260276/The-Apocalypse-in-Film-Dystopias-Disasters-and-Other-Visions-about-the-End-of-the-World
The end of the world: loss and redemption in Four Horsemen of the Apocalypse (1921)
Book chapter
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/601103/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
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2018-05-29 11:29:15.59
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/6011872016-03-11T13:49:15Zcom_10547_132179col_10547_132260
Randell, Karen
Southhampton Solent University
2016-03-11T13:49:14Z
2016-03-11T13:49:14Z
2014
Randell, K. (2014) 'Buster Keaton and the sunshine players', PCA/ACA Annual Conference, Chicago, Illinois, April 16 – April 19
http://hdl.handle.net/10547/601187
en
http://pcaaca.org/wp-content/uploads/2014/02/conference_2014.pdf
Buster Keaton
P303 Film studies
Buster Keaton and the sunshine players
Conference papers, meetings and proceedings
LICENSE
license.txt
license.txt
text/plain
1691
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b79a1529374c8d02a5b1f30b27d2425e
MD5
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oai:uobrep.openrepository.com:10547/601187
2016-03-11 13:49:15.0
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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oai:uobrep.openrepository.com:10547/6011682016-03-11T13:47:37Zcom_10547_132179col_10547_132260
Randell, Karen
Southhampton Solent University
2016-03-11T13:47:36Z
2016-03-11T13:47:36Z
2014
Randell, K. (2014) 'Duty over Love: WWI Nurses on Film'. SCMS Annual Conference, Seattle, USA 19-23 March
http://hdl.handle.net/10547/601168
en
http://c.ymcdn.com/sites/www.cmstudies.org/resource/resmgr/2014_Conference/SCMS_2014_INT-web_archive.pdf
film
film studies
P303 Film studies
Duty over love: WWI nurses on film
Conference papers, meetings and proceedings
LICENSE
license.txt
license.txt
text/plain
1691
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b79a1529374c8d02a5b1f30b27d2425e
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oai:uobrep.openrepository.com:10547/601168
2016-03-11 13:47:37.0
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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
oai:uobrep.openrepository.com:10547/6011852016-03-11T13:43:31Zcom_10547_132179col_10547_132260
Randell, Karen
University of Bedfordshire
2016-03-11T13:43:28Z
2016-03-11T13:43:28Z
2013-11
Randell, K (2013) 'Pimps, Prostitutes and Promiscuity: not in our war films thank you: Selling Sex to female audiences'. Film & History Annual Conference, Madison, USA, 20-24 November
http://hdl.handle.net/10547/601185
en
http://www.uwosh.edu/filmandhistory/conference/documents/2013Program-Web.pdf
film
film studies
P303 Film studies
Pimps, prostitutes and promiscuity: not in our war films thank you: selling sex to female audiences
Conference papers, meetings and proceedings
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/601185/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
1
false
10547/601185
oai:uobrep.openrepository.com:10547/601185
2016-03-11 13:43:31.0
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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
oai:uobrep.openrepository.com:10547/6014272018-06-19T10:19:15Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
0000-0001-5980-6891
600
2016-03-16T14:01:05Z
2016-03-16T14:01:05Z
2015
Piotrowska, P (2015) Forbidden Love [Film]
http://hdl.handle.net/10547/601427
This is a part of a research project looking at the post colonial legacy in personal relationship., focusing on the true story of Flora Viet Wild and Dambudzo Marechera in early 80's in Zimbabwe.
en
Forbidden love
Other
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/601427/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
1
false
10547/601427
oai:uobrep.openrepository.com:10547/601427
2018-06-19 10:19:15.354
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
Tk9OLUVYQ0xVU0lWRSBESVNUUklCVVRJT04gTElDRU5TRQoKQnkgc2lnbmluZyBhbmQgc3VibWl0dGluZyB0aGlzIGxpY2Vuc2UsIHlvdSAodGhlIGF1dGhvcihzKSBvciBjb3B5cmlnaHQKb3duZXIpIGdyYW50cyB0byB0aGUgVW5pdmVyc2l0eSBvZiBCZWRmb3Jkc2hpcmUgUmVwb3NpdG9yeSAgKFVPQlJFUCkgdGhlIG5vbi1leGNsdXNpdmUgcmlnaHQgdG8gcmVwcm9kdWNlLAp0cmFuc2xhdGUgKGFzIGRlZmluZWQgYmVsb3cpLCBhbmQvb3IgZGlzdHJpYnV0ZSB5b3VyIHN1Ym1pc3Npb24gKGluY2x1ZGluZwp0aGUgYWJzdHJhY3QpIHdvcmxkd2lkZSBpbiBwcmludCBhbmQgZWxlY3Ryb25pYyBmb3JtYXQgYW5kIGluIGFueSBtZWRpdW0sCmluY2x1ZGluZyBidXQgbm90IGxpbWl0ZWQgdG8gYXVkaW8gb3IgdmlkZW8uCgpZb3UgYWdyZWUgdGhhdCBVT0JSRVAgbWF5LCB3aXRob3V0IGNoYW5naW5nIHRoZSBjb250ZW50LCB0cmFuc2xhdGUgdGhlCnN1Ym1pc3Npb24gdG8gYW55IG1lZGl1bSBvciBmb3JtYXQgZm9yIHRoZSBwdXJwb3NlIG9mIHByZXNlcnZhdGlvbi4KCllvdSBhbHNvIGFncmVlIHRoYXQgVU9CUkVQIG1heSBrZWVwIG1vcmUgdGhhbiBvbmUgY29weSBvZiB0aGlzIHN1Ym1pc3Npb24gZm9yCnB1cnBvc2VzIG9mIHNlY3VyaXR5LCBiYWNrLXVwIGFuZCBwcmVzZXJ2YXRpb24uCgpZb3UgcmVwcmVzZW50IHRoYXQgdGhlIHN1Ym1pc3Npb24gaXMgeW91ciBvcmlnaW5hbCB3b3JrLCBhbmQgdGhhdCB5b3UgaGF2ZQp0aGUgcmlnaHQgdG8gZ3JhbnQgdGhlIHJpZ2h0cyBjb250YWluZWQgaW4gdGhpcyBsaWNlbnNlLiBZb3UgYWxzbyByZXByZXNlbnQKdGhhdCB5b3VyIHN1Ym1pc3Npb24gZG9lcyBub3QsIHRvIHRoZSBiZXN0IG9mIHlvdXIga25vd2xlZGdlLCBpbmZyaW5nZSB1cG9uCmFueW9uZSdzIGNvcHlyaWdodC4KCklmIHRoZSBzdWJtaXNzaW9uIGNvbnRhaW5zIG1hdGVyaWFsIGZvciB3aGljaCB5b3UgZG8gbm90IGhvbGQgY29weXJpZ2h0LAp5b3UgcmVwcmVzZW50IHRoYXQgeW91IGhhdmUgb2J0YWluZWQgdGhlIHVucmVzdHJpY3RlZCBwZXJtaXNzaW9uIG9mIHRoZQpjb3B5cmlnaHQgb3duZXIgdG8gZ3JhbnQgVU9CUkVQIHRoZSByaWdodHMgcmVxdWlyZWQgYnkgdGhpcyBsaWNlbnNlLCBhbmQgdGhhdApzdWNoIHRoaXJkLXBhcnR5IG93bmVkIG1hdGVyaWFsIGlzIGNsZWFybHkgaWRlbnRpZmllZCBhbmQgYWNrbm93bGVkZ2VkCndpdGhpbiB0aGUgdGV4dCBvciBjb250ZW50IG9mIHRoZSBzdWJtaXNzaW9uLgoKSUYgVEhFIFNVQk1JU1NJT04gSVMgQkFTRUQgVVBPTiBXT1JLIFRIQVQgSEFTIEJFRU4gU1BPTlNPUkVEIE9SIFNVUFBPUlRFRApCWSBBTiBBR0VOQ1kgT1IgT1JHQU5JWkFUSU9OIE9USEVSIFRIQU4gVEVTVE9SLCBZT1UgUkVQUkVTRU5UIFRIQVQgWU9VIEhBVkUKRlVMRklMTEVEIEFOWSBSSUdIVCBPRiBSRVZJRVcgT1IgT1RIRVIgT0JMSUdBVElPTlMgUkVRVUlSRUQgQlkgU1VDSApDT05UUkFDVCBPUiBBR1JFRU1FTlQuCgpVT0JSRVAgd2lsbCBjbGVhcmx5IGlkZW50aWZ5IHlvdXIgbmFtZShzKSBhcyB0aGUgYXV0aG9yKHMpIG9yIG93bmVyKHMpIG9mIHRoZQpzdWJtaXNzaW9uLCBhbmQgd2lsbCBub3QgbWFrZSBhbnkgYWx0ZXJhdGlvbiwgb3RoZXIgdGhhbiBhcyBhbGxvd2VkIGJ5IHRoaXMKbGljZW5zZSwgdG8geW91ciBzdWJtaXNzaW9uLgo=
oai:uobrep.openrepository.com:10547/6013852018-06-19T10:19:00Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
0000-0001-5980-6891
600
2016-03-16T14:01:36Z
2016-03-16T14:01:36Z
2015
Piotrowska, A (2015) The Suitcase [Film]
http://hdl.handle.net/10547/601385
Short film inspired by women's stories in Zimbabwe
en
The suitcase
Other
LICENSE
license.txt
license.txt
text/plain
1691
https://uobrep.openrepository.com/bitstream/10547/601385/1/license.txt
b79a1529374c8d02a5b1f30b27d2425e
MD5
1
false
10547/601385
oai:uobrep.openrepository.com:10547/601385
2018-06-19 10:19:00.457
University of Bedfordshire Repository
marcus.woolley@beds.ac.uk
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
oai:uobrep.openrepository.com:10547/6035502020-12-17T11:17:29Zcom_10547_132179col_10547_132260
Caoduro, Elena
b8e702d379e298dfd0a0a6f5ad56d3e9
500
University of Southampton
2016-03-23T13:53:34Z
2016-03-23T13:53:34Z
2014-07-08
Caoduro, E. (2014) 'Photo Filters Apps: Analogue Nostalgia and in the New Media Ecology', Networking Knowledge: Journal of the MeCCSA-PGN 7.2 (Summer 2014): 67-82.
1755-9944
http://hdl.handle.net/10547/603550
Networking Knowledge: Journal of the MeCCSA Postgraduate Network
As digital media have become more pervasive and entrenched in our daily routines, a nostalgic countertrend has increasingly valued the physical and tactile nature of the analogue image. In the past few years, technologically obsolete devices, such as lo-fi cameras and vinyl records, have not faded out of sight completely but are instead experiencing a comeback. At the same time, digital media capitalise on the nostalgia for the analogue and fetishise the retro aesthetics of old technologies. This article explores the emergence of photo filter and effect applications which allow users to modify digital photos, adding signifiers of age such as washed-out colours, scratches and torn borders. It is argued that these new technologies, with programs such as Instagram, Hipstamatic and Camera 360, bring back the illusory physicality of picture-taking through digital skeuomorphism. Drawing on media archaeology practice, this article interrogates the limits of the retro sensibility and the fetishisation of the past in the context of digital media, in particular by focusing on the case study of the start-up Instagram. This photo filter application neither merely stresses the twilight nature of photography nor represents the straightforward digital evolution of previous analogue features. Rather, it responds to the necessity to feel connected to the past by clear and valued signs of age, mimicking a perceived sense of loss. Faced with the persistent hipster culture and the newness of digital media, photo filter apps create comfortable memories, ageing pictures and adding personal value. As such, it will be argued that this phenomenon of nostalgia for analogue photography can be linked to the concepts of ritual and totem. By providing a critical history of Instagram as a photo-sharing social network, this article aims to explain new directions in the rapidly changing system of connective media.
en
http://ojs.meccsa.org.uk/index.php/netknow/article/view/338
W640 Photography
photography
apps
digital media
Photo filter apps: understanding analogue nostalgia in the new media ecology
Article
As digital media have become more pervasive and entrenched in our daily routines, a nostalgic countertrend has increasingly valued the physical and tactile nature of the analogue image. In the past few years, technologically obsolete devices, such as lo-fi cameras and vinyl records, have not faded out of sight completely but are instead experiencing a comeback. At the same time, digital media capitalise on the nostalgia for the analogue and fetishise the retro aesthetics of old technologies. This article explores the emergence of photo filter and effect applications which allow users to modify digital photos, adding signifiers of age such as washed-out colours, scratches and torn borders. It is argued that these new technologies, with programs such as Instagram, Hipstamatic and Camera 360, bring back the illusory physicality of picture-taking through digital skeuomorphism.
Drawing on media archaeology practice, this article interrogates the limits of the retro sensibility and the fetishisation of the past in the context of digital media, in particular by focusing on the case study of the start-up Instagram. This photo filter application neither merely stresses the twilight nature of photography nor represents the straightforward digital evolution of previous analogue features. Rather, it responds to the necessity to feel connected to the past by clear and valued signs of age, mimicking a perceived sense of loss. Faced with the persistent hipster culture and the newness of digital media, photo filter apps create comfortable memories, ageing pictures and adding personal value. As such, it will be argued that this phenomenon of nostalgia for analogue photography can be linked to the concepts of ritual and totem. By providing a critical history of Instagram as a photo-sharing social network, this article aims to explain new directions in the rapidly changing system of connective media.
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