2024-03-29T07:19:17Zhttp://uobrep.openrepository.com/oai/requestoai:uobrep.openrepository.com:10547/2245162012-05-18T08:59:20Zcom_10547_132179col_10547_132260
Bye, Daniel
2012-05-18T07:59:20Z
2012-05-18T07:59:20Z
2011
The price of everything by Daniel Bye (2011) Directed by Richard Bonham. [Dukes Theatre, Lancaster. 13 October].
http://hdl.handle.net/10547/224516
en
Performing arts
Theatre
W420 Directing for Theatre
The Price of Everything
Other
oai:uobrep.openrepository.com:10547/2245132012-05-18T08:53:44Zcom_10547_132179col_10547_132260
Bye, Daniel
Rebellato, Dan
2012-05-18T07:53:44Z
2012-05-18T07:53:44Z
2012
Bye, D. & Rebellato, D. (2012) #tag2012. York: Pilot Theatre.
http://hdl.handle.net/10547/224513
en
Performing arts
Theatre
Plays
#tag2012
Other
oai:uobrep.openrepository.com:10547/2245152012-05-18T08:55:43Zcom_10547_132179col_10547_132260
Bye, Daniel
2012-05-18T07:55:43Z
2012-05-18T07:55:43Z
2008
Full of noise by Daniel Bye (2008) Directed by Daniel Bye. [West Yorkshire Playhouse, Leeds. November].
http://hdl.handle.net/10547/224515
en
Plays
Shakespeare
The Tempest
Performing arts
Full of noises.
Other
oai:uobrep.openrepository.com:10547/2245212012-09-12T10:25:07Zcom_10547_132179col_10547_132260
Diedrich, Antje
2012-05-18T08:26:29Z
2012-05-18T08:26:29Z
2011
Diedrich, A. (2011) 'Acting out trauma in the Theatre of Embarassment: George Tabori's Shylock Improvisations', Performance Research, 16 (1), pp.142 - 152.
1352-8165
1469-9990
10.1080/13528165.2011.562040
http://hdl.handle.net/10547/224521
Performance Research
en
Archived with thanks to Performance Research
W440 Theatre studies
performing arts
George Tabori
Shylock Improvisations
Shylock
trauma
embarassment
Acting out trauma in the Theatre of Embarassment: George Tabori's Shylock Improvisations
Article
oai:uobrep.openrepository.com:10547/2245112012-05-18T08:49:43Zcom_10547_132179col_10547_132260
Diedrich, Antje
2012-05-18T07:49:43Z
2012-05-18T07:49:43Z
2011
Diedrich, A. (2011) '"Last in a long line of literary kleptomaniacs": Intertextuality in Sarah Kane's 4.48 Psychosis', Modern Drama.
http://hdl.handle.net/10547/224511
Modern Drama
en
Sarah Kane
Intertextual
'"Last in a long line of literary kleptomaniacs": Intertextuality in Sarah Kane's 4.48 Psychosis'.
Article
oai:uobrep.openrepository.com:10547/2245122012-05-18T08:52:38Zcom_10547_132179col_10547_132260
Bye, Daniel
2012-05-18T07:52:38Z
2012-05-18T07:52:38Z
2010
Quake by Daniel Bye (2010) Directed by Daniel Bye. [Live Youth Theatre, Newcastle].
http://hdl.handle.net/10547/224512
en
Plays
Youth
Quake
Other
oai:uobrep.openrepository.com:10547/2245142012-05-18T08:54:50Zcom_10547_132179col_10547_132260
Kartsaki, Eirini
2012-05-18T07:54:49Z
2012-05-18T07:54:49Z
2011
Kartsaki, E. (2011) 'Writing and re-writing: performance returns', Activate 1 (1) Department of Drama, Theatre and Performance at Roehampton University [Online] Available at: http://www.thisisactivate.net/2011/05/20/writing-and-re-writing/ (Accessed: 17 May 2012)
http://hdl.handle.net/10547/224514
Activate
en
Performance
Performative writing
Writing and re-writing: performance returns.
Article
oai:uobrep.openrepository.com:10547/2256752020-04-23T07:28:40Zcom_10547_132179col_10547_132260
Biggs, Simon
Dima, Mariza
Ekeus, Henrik
Hawksley, Sue
Timmons, Wendy
Wright, Mark
2012-05-24T11:06:48Z
2012-05-24T11:06:48Z
2010
Biggs, S., Dima, S., Ekeus, H., Hawksley, S. (2009) 'The'H' in HCI: enhancing perception of the interactive through the performative.' Proceedings of the HCI international 2009 conference, San Diego. [Online] Available at:http://link.springer.com/chapter/10.1007%2F978-3-642-02771-0_1
9783642027703
0302-9743
10.1007/978-3-642-02771-0_1
http://hdl.handle.net/10547/225675
Lecture notes in computer science
Motion sensing technologies are well developed at the bio-mechanical (motion capture) and geo-locative (GPS) scales. However, there are many degrees of scale between these extremes and there have been few attempts to seek the integration of systems that were designed for distinct contexts and tasks. The proposition that motivated the Scale project team was that through such systems integration it would be possible to create an enhanced perception of interaction between human participants who might be co-located or remotely engaged, separated in either (or both) time or space. A further aim was to examine how the use of these technologies might inform current s discourse on the performative.
en
performing arts
interactive environments
motion sensing
multi-modal
scaleable
interactive environments
interdisciplinary research
perception
The 'H' in HCI: enhancing perception of the interactive through the performative.
Book chapter
Meetings and Proceedings
oai:uobrep.openrepository.com:10547/2280912012-07-02T10:45:06Zcom_10547_132179col_10547_132255col_10547_132260
Fisher, Austin
2012-06-08T14:55:11Z
2012-06-08T14:55:11Z
2011
Austin, F. (2011) 'Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema'. I.B.Tauris
9781848855786
1848855788
http://hdl.handle.net/10547/228091
en
R330 Italian Society and Culture
P303 Film studies
Spaghetti western
Radical frontiers in the spaghetti western: politics, violence and popular Italian cinema
Book
oai:uobrep.openrepository.com:10547/2280512016-01-26T10:21:14Zcom_10547_132179col_10547_132255col_10547_132260
Fisher, Austin
2012-06-08T10:55:41Z
2012-06-08T10:55:41Z
2010-06
Fisher, A. (2010) 'Out west, down south: gazing at America in reverse shot through Damiano Damiani's "Quien sabe?"' The Italianist 30 (2):183-201
0261-4340
1748-619X
10.1179/026143410X12724449730097
http://hdl.handle.net/10547/228051
The Italianist
en
P303 Film studies
R330 Italian Society and Culture
R300 Italian studies
Out west, down South: gazing at America in reverse shot through Damiano Damiani's "Quien sabe?"
Article
oai:uobrep.openrepository.com:10547/2294542016-10-20T10:33:49Zcom_10547_132179col_10547_132260
Brake, David R.
2012-06-18T14:23:45Z
2012-06-18T14:23:45Z
2008
Brake, David R. (2008) Shaping the "me" in MySpace: the framing of profiles on a social network site. in: Lundby, K. (ed.) Digital storytelling, mediatized stories: self-representations in New Media. New York: Lang. pp285-300
9781433102738
http://hdl.handle.net/10547/229454
en
MySpace
social networking
Shaping the "me" in MySpace: the framing of profiles on a social network site.
Book chapter
oai:uobrep.openrepository.com:10547/2300172018-03-27T09:57:31Zcom_10547_132179col_10547_132257col_10547_132260
Hockley, Luke
2012-06-21T10:43:11Z
2012-06-21T10:43:11Z
2011
Hockley, L. (2011) "The third image: depth psychology and the cinematic experience", in Hauke, C. and Hockley, L. (eds.) Jung and film 2. The return: further post-Jungian takes on the moving image. London: Routledge, pp.132-147.
9780415488976
http://hdl.handle.net/10547/230017
en
The third image: depth psychology and the cinematic experience
Book chapter
oai:uobrep.openrepository.com:10547/2315222012-07-13T12:14:22Zcom_10547_132179col_10547_132255col_10547_132257col_10547_132260
Fisher, Austin
2012-06-29T15:46:02Z
2012-06-29T15:46:02Z
2009-10
Fisher, A. (2009) "A Marxist's gotta do what a Marxist's gotta do: political violence on the Italian frontier", Scope: an online journal of film and television studies, 15 [online] . Available at : http://www.scope.nottingham.ac.uk/cultborr/chapter.php?id=14
1465-9166
http://hdl.handle.net/10547/231522
Scope: an online journal of film and television studies
en
Spaghetti western
Marxism
film studies
violence
insurrection
P303 Film studies
A Marxist's gotta do what a Marxist's gotta do: political violence on the Italian frontier
Article
oai:uobrep.openrepository.com:10547/2315212018-03-27T09:58:24Zcom_10547_132179col_10547_132260
Hockley, Luke
2012-06-29T15:45:07Z
2012-06-29T15:45:07Z
2010
Hockley, L. (2010) "Losing the plot: a story of individuation and the movies", Quadrant:, 40 (1), pp.9-24.
00335010
http://hdl.handle.net/10547/231521
Quadrant
en
film studies
Losing the plot: a story of individuation and the movies
Article
oai:uobrep.openrepository.com:10547/2315532018-03-27T09:58:13Zcom_10547_132179col_10547_132260
Hockley, Luke
2012-06-29T15:44:21Z
2012-06-29T15:44:21Z
2010
Hockley, L. (2010) "Doctoring individuation: Gregory House, physician, detective or shaman? In Gardner, L. and Hockley, L. (eds.) "House: the wounded healer on television": Jungian and post Jungian reflections. London: Routledge, pp.11-26.
0415479134
http://hdl.handle.net/10547/231553
en
Doctoring individuation: Gregory House, physician, detective or shaman?
Book chapter
oai:uobrep.openrepository.com:10547/2315522018-03-27T09:58:43Zcom_10547_132179col_10547_132260
Hockley, Luke
2012-06-29T15:43:27Z
2012-06-29T15:43:27Z
2009
Hockley, L. (2009) "Shaken not stirred: James Bond as Puer", In Porterfield, S., Polette, K., and Baumlin, T.F. (eds.) "Perpetual adolescence: Jungian analyses of American media, literature and pop culture." Albany: State University of New York Press, pp.105-121.
1438428006
http://hdl.handle.net/10547/231552
en
Shaken not stirred: James Bond as Puer
Book chapter
oai:uobrep.openrepository.com:10547/2366912012-08-06T10:46:04Zcom_10547_132179col_10547_132260
Larrea, Carlota
2012-07-31T16:33:55Z
2012-07-31T16:33:55Z
2009
Larrea, C. (2009) "Water, window, moon: visual metaphors in Julio Medem's Lucía y el sexo", Journal of Iberian and Latin American studies 15 (1), pp.43-49.
1470-1847
10.1080/14701840903160135
http://hdl.handle.net/10547/236691
Journal of Iberian and Latin American Studies
en
Archived with thanks to Journal of Iberian and Latin American Studies
Julio Medem
film studies
Lucía y el sexo
Spanish cinema
Water, window, moon: visual metaphors in Julio Medem's "Lucía y el sexo"
Article
oai:uobrep.openrepository.com:10547/2509512018-06-19T10:20:40Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2012-11-05T11:37:31Z
2012-11-05T11:37:31Z
2008-06-04
Piotrowska, A. (2008) "Married to the Eiffel Tower: Strangelove", Channel 5 Television, 4 June.
http://hdl.handle.net/10547/250951
en
Married to the Eiffel tower: Strangelove
Other
oai:uobrep.openrepository.com:10547/2510562012-11-05T17:36:10Zcom_10547_132179col_10547_132260
Larrea, Carlota
2012-11-05T17:36:10Z
2012-11-05T17:36:10Z
2010
Larrea, C. (2010) "Consciousness raising for the 21st century: feminist websites and postfeminism online" in O'Byrne, P., Carty, G., and Thornton, N. (eds.) (2010) Transcultural encounters among women: redrawing boundaries in Hispanic and Lusophone art, literature and film. Newcastle Upon Tyne: Cambridge Scholars Publishing. pp35-50
9781443820738
http://hdl.handle.net/10547/251056
en
Consciousness raising for the 21st century: feminist websites and postfeminism online
Book chapter
oai:uobrep.openrepository.com:10547/2836112014-11-21T11:18:33Zcom_10547_132179col_10547_132260
Larrea, Carlota
2013-04-24T09:47:17Z
2013-04-24T09:47:17Z
2012
Larrea, C. (2012) "Globalization, regional television and national identity: the case of Vaya Semanita/what a week", "International journal of Iberian Studies", 25 (2), pp.81-93.
1364-971X
http://dx.doi.org/10.1386/ijis.25.2.81_1
http://hdl.handle.net/10547/283611
International Journal of Iberian Studies
en
Basque country
comedy
globalization
localization
national identity
television
Globalization, regional television and national identity: the case of Vaya Semanita/what a week
Article
oai:uobrep.openrepository.com:10547/2950652020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Larrea, Carlota
2013-07-02T11:31:04Z
2013-07-02T11:31:04Z
2011
Larrea, C. (2011) 'La Niña santa', Senses of Cinema, 60
1443-4059
http://hdl.handle.net/10547/295065
Senses of Cinema
Annotation on film 'La Niña santa' by Lucrecia Martel, 2004
en
La Niña santa (The Holy Girl)
Article
oai:uobrep.openrepository.com:10547/2959842018-03-27T09:57:53Zcom_10547_132179col_10547_132260
Hockley, Luke
2013-07-15T08:45:01Z
2013-07-15T08:45:01Z
2010
Hockley, L. (2010) 'Introduction', in Helena Bassil-Morozow (ed.) Tim Burton: The Monster and the Crowd. A Post-Jungian Perspective. London: Routledge.
9780415489713
http://hdl.handle.net/10547/295984
en
Introduction
Book chapter
oai:uobrep.openrepository.com:10547/2959602020-04-23T07:30:26Zcom_10547_132179col_10547_132260
Hockley, Luke
2013-07-15T08:34:58Z
2013-07-15T08:34:58Z
2007
Hockley, L. (2007) 'Frames of Mind: A Post-Jungian Look at Film, Television and Technology', Intellect
9781841501710
http://hdl.handle.net/10547/295960
Frames of Mind provides a fresh and stimulating introduction to the world of Post-Jungian film and television studies. To orientate the reader the book starts with an overview of analytical psychology and how it has been used to analyze films. From that starting point it broadens out to include topics such as: why we have genuine emotional responses to films which we know to be unreal; how and why we watch television; the unconscious motifs of advertising; and the psychological role that technology plays in contemporary society.
en
Frames of mind: a post-Jungian look at film, television and technology
Book
oai:uobrep.openrepository.com:10547/2950472020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Larrea, Carlota
2013-07-02T11:27:57Z
2013-07-02T11:27:57Z
2012
Larrea, C. (2012) 'Nightmare in the Sun: Matteo Garrone's Gomorrah', Senses of Cinema, 65, online
1443-4059
http://hdl.handle.net/10547/295047
Senses of Cinema
This shorthand evaluation of the film Gomorrah by Matteo Garrone, 2008
en
Nightmare in the sun: Matteo Garrone's Gomorrah
Article
oai:uobrep.openrepository.com:10547/2950482020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Larrea, Carlota
2013-07-02T11:29:16Z
2013-07-02T11:29:16Z
2012
Larrea, C. (2012) 'The American Friend', Senses of Cinema, 62
1443-4059
http://hdl.handle.net/10547/295048
Senses of Cinema
Annotations on film Der Amerikanische Freund (The American Friend, 1977) by Wim Wenders
en
The American Friend
Article
oai:uobrep.openrepository.com:10547/2959832020-04-23T07:30:25Zcom_10547_132179col_10547_132260
Hauke, Christopher
Hockley, Luke
2013-07-15T08:33:25Z
2013-07-15T08:33:25Z
2011
Hauke, C. & Hockley, L. (2011) 'Jung and Film II: The return, Further Takes on the Moving Image', Routledge,UK
9780415488976
http://hdl.handle.net/10547/295983
Since Jung and Film was first published in 2001, Jungian writing on the moving image in film and television has accelerated. Jung and Film II: The Return provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives.
en
Jung and film II: the return : further post-Jungian takes on the moving image
Book
oai:uobrep.openrepository.com:10547/2950642020-04-23T07:30:26Zcom_10547_132179col_10547_132260
Hockley, Luke
Gardner, Leslie
2013-07-02T11:26:17Z
2013-07-02T11:26:17Z
2010
Hockley, L & Gardner, L. (2010) 'House: The Wounded Healer on Television. Jungian and Post-Jungian Reflections', New York: Routledge
9780415479134
http://hdl.handle.net/10547/295064
House: The Wounded Healer on Television employs a Jungian perspective to examine the psychological construction of the series and its namesake, Dr Gregory House. The book also investigates the extent to which the continued popularity of House MD has to do with its representation of deeply embedded cultural concerns
en
House: the wounded healer on television : Jungian and post-Jungian reflections
Book
oai:uobrep.openrepository.com:10547/5764472020-04-23T07:32:58Zcom_10547_132179col_10547_132260
Hockley, Luke
2015-09-03T11:39:24Z
2015-09-03T11:39:24Z
2013-10
Hockley, L. (2013) 'Somatic cinema: the relationship between body and screen – a Jungian perspective'. London: Routledge.
9780415669238
9780415669221
http://hdl.handle.net/10547/576447
Films can hold personal psychological meanings that are often at odds with their narratives. Examining the intersections between mental health and the cinema, Somatic Cinema represents the cutting edge of film theory, evaluating the significance of this phenomenon both in therapy and in the everyday world.
en
Somatic cinema: the relationship between body and screen – a Jungian perspective
Book
oai:uobrep.openrepository.com:10547/5764572020-04-23T07:33:02Zcom_10547_132179col_10547_132260
Hockley, Luke
Fadina, Nadi
2015-09-03T11:36:39Z
2015-09-03T11:36:39Z
2015-06
Hockley, L. and Fadini, N. (2015) 'The happiness illusion: how the hedia sold us a fairytale'. London: Routledge.
9780415728706
9780415728690
http://hdl.handle.net/10547/576457
The Happiness Illusion explores how the metaphorical insights of fairy-tales have been literalised and turned into commodities. In so doing, their ability to educate and entertain has largely been lost. Instead advertising and television sell us products that offer to magically transform the way we look, how we age, where we live –both in the city and the countryside, the possibility of new jobs, and so forth. All of these are supposed to make us happy. But despite the allure of ‘retail therapy’ modern magic has lost its spell.
en
The happiness illusion: how the media sold us a fairytale
Book
oai:uobrep.openrepository.com:10547/5764482018-03-27T09:56:13Zcom_10547_132179col_10547_132260
Hockley, Luke
2015-09-03T11:41:21Z
2015-09-03T11:41:21Z
2015-06
Hockley, L. (2015) 'Snow White and the Huntsman: The fairytale of gender and the female warrior'. In Hockley, L. and Fadina N. (eds) 'The Happiness Illusion: How the media sold us a fairytale'. London: Routledge. pp 33-39.
9780415728706
9780415728690
http://hdl.handle.net/10547/576448
en
Snow White and the Huntsman: the fairytale of gender and the female warrior.
Book chapter
oai:uobrep.openrepository.com:10547/5764492020-12-15T11:32:18Zcom_10547_132179col_10547_132260
Hockley, Luke
2015-09-03T11:43:32Z
2015-09-03T11:43:32Z
2014-10-01
Hockley, L. (2015) 'Jungian Screen Studies: ‘Everything is Awesome’…?' International Journal of Jungian Studies. 7 (1) pp 55-66
10.1080/19409052.2014.958896
http://hdl.handle.net/10547/576449
International Journal of Jungian Studies
Jungian film theory has reached a point where it has started to coalesce into a field. It is perhaps timely to take stock of what constitutes that field, and the extent to which a Jungian orientation to film and media is differentiated from Freudian and Lacanian approaches as well as those derived from traditional phenomenology and Deleuze.
en
film
theory
media
Lacan
Freud
Jung
film theory
film studies
Jungian screen studies: ‘Everything is awesome’…?
Article
oai:uobrep.openrepository.com:10547/5768162018-03-27T09:56:46Zcom_10547_132179col_10547_132260
Hockley, Luke
2015-09-04T09:33:51Z
2015-09-04T09:33:51Z
2015
Hockley, L (2015) 'Therapy and cinema: making images and finding meanings'. In Piotrowska, A. (ed) 'Embodied encounters' Hove: Routledge
9781315758541
1138795259
http://hdl.handle.net/10547/576816
en
Therapy and cinema: making images and finding meanings
Book chapter
oai:uobrep.openrepository.com:10547/5768132016-03-10T12:19:22Zcom_10547_132179col_10547_132260
Larrea, Carlota
2015-09-04T09:03:53Z
2015-09-04T09:03:53Z
2014-10
Larrea, C. (2014) 'Pina.' Cinematheque Annotations on Film 72 Available at: http://sensesofcinema.com/2014/cteq/pina/
http://hdl.handle.net/10547/576813
en
Wim Wenders
film studies
Pina
Pina Bausch
dance
Pina
Article
oai:uobrep.openrepository.com:10547/5768192016-03-10T12:18:57Zcom_10547_132179col_10547_132260
Larrea, Carlota
2015-09-04T12:53:32Z
2015-09-04T12:53:32Z
2014-01
Larrea, C (2014) 'Faithless' Cinematique Annotaitons on Film. Available at: http://sensesofcinema.com/2013/cteq/faithless/
http://hdl.handle.net/10547/576819
Cinematique Annotaitons on Film
en
film studies
Faithless
Trolösa
Ingmar Bergman
Swedish cinema
Faithless
Article
oai:uobrep.openrepository.com:10547/5770772018-06-19T10:20:11Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2015-09-10T12:11:41Z
2015-09-10T12:11:41Z
2014
Piotrowska, A. (2014) 'Psychoanalysis and Ethics in Documentary Film' London: Routledge.
9780415813471
9780415813495
http://hdl.handle.net/10547/577077
en
Psychoanalysis and ethics in documentary film
Book
oai:uobrep.openrepository.com:10547/5770782020-04-23T07:32:54Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2015-09-10T12:30:52Z
2015-09-10T12:30:52Z
2014-05-09
Piotrowska, A (2014) 'Zero Dark Thirty – ‘war autism’ or a Lacanian ethical act?' New Review of Film and Television Studies 12 (2) pp.143-155
1740-0309
1740-7923
10.1080/17400309.2014.908269
http://hdl.handle.net/10547/577078
New Review of Film and Television Studies
The paper discusses Kathryn Bigelow's Zero Dark Thirty (2012) through the lens of Lacanian ethics as described in Seminar VII. I argue that Maya's single-minded determination is akin to that of Sophocles' Antigone as presented by Lacan. In particular in her decision to see through her commitment to a cause ‘beyond the limit’ as Lacan would put it, she echoes Antigone's ‘inflexibility’ and even her ‘monstrous’ unfeminine and ‘raw’ stubbornness to her mission. This stance, however, is different from a lack of empathy suggested by some critics and scholars. Instead, it constitutes an ethical act within the Lacanian paradigm. I argue that Maya's gender and her feminine beauty defiant in the world of patriarchal procedures also resonates with the position of Antigone. I claim further that psychoanalysis in its emphasis on the unknowingness of subjects and situations has still a lot to offer to film studies, beyond its post-1968 structuralist readings.
en
Archived with thanks to New Review of Film and Television Studies
Zero Dark Thirty
Antigone
psychoanalysis
ethics
Lacan
'Zero Dark Thirty' – ‘war autism’ or a Lacanian ethical act?
Article
oai:uobrep.openrepository.com:10547/5770792020-04-23T07:32:55Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2015-09-10T13:01:15Z
2015-09-10T13:01:15Z
2014-03-01
Piotrowska, A (2014) 'Mourning and melancholia at the Harare International Festival of the Arts'. Journal of African Media Studies 6 (1) pp. 111-130
2040-199X
1751-7974
10.1386/jams.6.1.111_1
http://hdl.handle.net/10547/577079
Journal of African Media Studies
This article has a twofold purpose: first, I look at the Harare International Festival of the Arts (HIFA) as a site of mourning and melancholia – to use the phrase that was first used by Sigmund Freud in his seminal paper and which was reformulated more recently by a postcolonial scholar Ranjana Khanna. I suggest that unconscious mechanisms, which are expressions of loss on the part of both black and white Zimbabweans, are acted out in the festival. In particular, on the part of white Zimbabweans it might be an expression of the so-called ‘white alienation’ experienced after the loss of domination. Second, I also look at assertions of a feminist academic, Sara Ahmed, who claims in her book Embodied Strangers that it is difficult, if at all possible, to circumvent the embodied and cultural context of an encounter between a representative of a western culture and the Other. I present a case study of the opening show at HIFA 2011, which seems to confirm this theory. However, I also suggest that it might be possible to subvert this expected narrative through a Winnicottian notion of a space for creativity and play. I look at two different examples of such encounters and cite the poem by Charmaine Mujeri in which she describes her hybrid identity.
en
Archived with thanks to Journal of African Media Studies
Zimbabwe
(post) and (de)-colonial discourse
embodiment
psychoanalysis
trickster
mourning
melancholia
melancholy
Mourning and melancholia at the Harare International Festival of the Arts
Article
oai:uobrep.openrepository.com:10547/5842602020-12-15T12:35:04Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2015-12-21T09:27:10Z
2015-12-21T09:27:10Z
2015-05-01
Lovers In Time or how we didn't get arrested in Harare! (2015) Piotrowska, A. [Film]
http://hdl.handle.net/10547/584260
en
Lovers in time : or how we didn't get arrested in Harare!
Other
oai:uobrep.openrepository.com:10547/5770802018-06-19T10:19:25Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2015-09-10T13:02:40Z
2015-09-10T13:02:40Z
2015
Piotrowska, A (2015) 'Embodied Encounters: New approaches to psychoanalysis and cinema'. London: Routledge
9781138795259
9781138795242
http://hdl.handle.net/10547/577080
en
Embodied encounters: new approaches to psychoanalysis and cinema
Book
oai:uobrep.openrepository.com:10547/5812662016-03-10T12:21:45Zcom_10547_132179col_10547_132260
Larrea, Carlota
2015-10-27T10:59:22Z
2015-10-27T10:59:22Z
2015-05
Larrea, C. (2015) 'A portrait of lives constrained: Zhang Yimou’s 'Ju Dou'' Cinematheque Annotations on Film. Available at: http://sensesofcinema.com/2015/cteq/ju-dou-zhang-yimous/
http://hdl.handle.net/10547/581266
en
P303 Film studies
Zhang Yimou
Ju Dou
Chinese film
Chinese cinema
A portrait of lives constrained: Zhang Yimou’s 'Ju Dou'
Article
oai:uobrep.openrepository.com:10547/5812652020-04-23T07:32:59Zcom_10547_132179col_10547_132260
Larrea, Carlota
2015-10-27T10:57:14Z
2015-10-27T10:57:14Z
2015
Larrea, C (2015) 'The Alhondiga Project: Glocalising Culture for the Community’, MECCSA Conference 2015, Northumbria University, Northumbria, 7-9 January. Abstract available at: http://meccsa2015.co.uk/wp-content/uploads/2014/11/abstracts-for-panels-and-papers.pdf
http://hdl.handle.net/10547/581265
Positioned as a local, community alternative to the Guggenheim Museum, the Alhondiga cultural centre is one of the many projects of urban regeneration through culture in the city of Bilbao, Northern Spain. It is a multipurpose leisure and arts centre extending over 43,000 square meters, built in the early XXth century as a wine warehouse and redesigned recently by Philip Starck. While the Guggenheim Museum has maintained its international outlook and connotations, oriented towards cultural tourism and being filled primarily by tourists visiting the city, the Alhondiga project is a usable, open space used primarily by the local community, offering an experience that straddles the local and the global, the traditional and the contemporary, the everyday and the cutting edge achieved through a mix of material space design and cultural programming. The presentation will analyse how elements of material and immaterial culture blend in order to foster education, leisure and citizenship agendas in a community which in the past was culturally inward looking. It will evaluate the contrasting understandings of culture and its consumers that emerge from the venue and its programme and the attempt to combine the local and the global both in content and in terms of audience appeal and engagement. It will do so through a quantitative and qualitative analysis of the different activities and events, both regular and occasional, over a period of two years, and what they reveal about how community inclusivity and engagement are targeted through cultural programming.
en
The Alhondiga project: glocalising culture for the community
Conference papers, meetings and proceedings
oai:uobrep.openrepository.com:10547/5948352016-01-26T09:37:34Zcom_10547_132179col_10547_132260
Randell, Karen
2016-01-26T09:37:33Z
2016-01-26T09:37:33Z
2011
Randell, K. (2011) '"Now the Gloves Come Off": The Problematic of "Enhanced Interrogation Techniques" in Battlestar Galactica'. Cinema Journal 51 (1):168
1527-2087
10.1353/cj.2011.0066
http://hdl.handle.net/10547/594835
Cinema Journal
en
Archived with thanks to Cinema Journal
Battlestar Galactica
"Now the gloves come off": the problematic of "enhanced interrogation techniques" in Battlestar Galactica
Article
oai:uobrep.openrepository.com:10547/5948542016-01-26T09:52:10Zcom_10547_132179col_10547_132260
Randell, Karen
2016-01-26T09:52:09Z
2016-01-26T09:52:09Z
2013
Randell, K. (2013) 'Celebrity trauma: the death of Heath Ledger and The imaginarium of Doctor Parnassus' in Birkenstein, J., Froula, A., Randell, K. (eds) 'The cinema of Terry Gilliam: it's a mad world'. Columbia University Press.
9780231165358
9780231165341
9780231850384
http://hdl.handle.net/10547/594854
en
Celebrity trauma: the death of Heath Ledger and The imaginarium of Doctor Parnassus
Book chapter
oai:uobrep.openrepository.com:10547/5948382020-04-23T08:41:03Zcom_10547_132179col_10547_132260
Hallett, Lawrie
Hintz, Arne
2016-01-26T09:57:41Z
2016-01-26T09:57:41Z
2010-05
Hallett, L., Hintz, A. (2010) 'Digital broadcasting – Challenges and opportunities for European community radio broadcasters' Telematics and Informatics 27 (2):151
0736-5853
10.1016/j.tele.2009.06.005
http://hdl.handle.net/10547/594838
Telematics and Informatics
Access to broadcast infrastructure is vital for community radio services, however the switch-over from analogue to digital, as envisaged by European policy-makers, creates challenges for such stations. In this article, we will set out the general environment within which the transition to digital is occurring, illustrate the current state of the digital migration debate, identify potential difficulties for community radios, but also highlight opportunities that digital technologies may provide. Challenges include the historical tendency of European policy-makers to prioritise the requirements of larger Public Service and commercial broadcasters which has resulted in the promotion of platforms such as DAB that are not designed to cater for smaller-scale local and non-profit’ media. Furthermore the existence of a variety of jurisdiction-specific approaches to digital switch-over in Europe creates uncertainty as to the emerging technical and policy environment.
en
Archived with thanks to Telematics and Informatics
digital broadcasting
Dab
media policy
community radio
Digital broadcasting – challenges and opportunities for European community radio broadcasters
Article
oai:uobrep.openrepository.com:10547/5948552016-01-26T10:01:42Zcom_10547_132179col_10547_132260
Cola, Marta
Prario, Benedetta
2016-01-26T10:01:41Z
2016-01-26T10:01:41Z
2009
Cola, M., Prario, B. (2009) 'Dotazione e uso dei media: la Svizzera italiana nel contesto elvetico'. Peter Lang.
9783039118137
http://hdl.handle.net/10547/594855
it
Dotazione e uso dei media: la Svizzera italiana nel contesto elvetico
Book
oai:uobrep.openrepository.com:10547/5948492020-04-23T07:36:42Zcom_10547_132179col_10547_132260
Ritzenhoff, Karen A.
Randell, Karen
2016-01-26T11:57:06Z
2016-01-26T11:57:06Z
2012
Ritzenhoff, K., Randell, K. (eds) 'Screening the dark side of love: from Euro-horror to American cinema'. Palgrave.
9781137096630
9780230341548
10.1057/9781137096630
http://hdl.handle.net/10547/594849
How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
en
Screening the dark side of love: from Euro-horror to American cinema
Book
oai:uobrep.openrepository.com:10547/5948512020-04-23T07:33:32Zcom_10547_132179col_10547_132260
Dhoest, Alexander
Cola, Marta
Brusa, Manuel Mauri
Lemish, Dafna
2016-01-26T12:01:11Z
2016-01-26T12:01:11Z
2012-09
Dhoest, A. et al (2012) 'Studying Ethnic Minorities' Media Uses: Comparative Conceptual and Methodological Reflections'. Communication, Culture & Critique 5 (3):372
1753-9129
10.1111/j.1753-9137.2012.01124.x
http://hdl.handle.net/10547/594851
Communication, Culture & Critique
This paper discusses conceptual and methodological issues in the study of ethnic minorities' media uses. It does so by drawing on research experiences in different national contexts (Israel, Switzerland, and Belgium), looking for similarities but also differences related to the specific national contexts as well as the research designs and the ethnic groups involved. Starting from a broad reflection on ethnicity, the paper subsequently tackles issues such as the operational definition of ethnicity in ethnic labels, qualitative sampling procedures, language use, and problems of translation, as well as personal research experiences. By comparing national contexts and research experiences, we find recurring issues with specific national inflections, making us more aware of the specificity of ethnic matters in different context
en
ethnic minorities
media use
Studying ethnic minorities' media uses: comparative conceptual and methodological reflections
Article
oai:uobrep.openrepository.com:10547/6011052018-05-29T11:34:00Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-10T11:09:43Z
2016-03-10T11:09:43Z
2015
Randell, K., (2015) ‘Preface’. In Tholas-Disset, C., and Ritzenhoff, K. (eds) 'Humor, entertainment and popular culture during World War I'. London: Palgrave MacMillan
9781137449092
9781137449092
10.1057/9781137436436
http://hdl.handle.net/10547/601105
en
World War I
popuar culture
Humor, entertainment, and popular culture during World War I: preface
Book chapter
oai:uobrep.openrepository.com:10547/6010872018-05-29T11:31:23Zcom_10547_132179col_10547_132260
Randell, Karen
Weedon, Alexis
2016-03-10T11:07:08Z
2016-03-10T11:07:08Z
2015
Randell, K., Weedon, A. (2015) "Reconfiguring Elinor Glyn: Ageing female experience and the origins of the ‘It Girl' ’’. In Jermyn, D., Holmes, S. (Eds.) 'Women, Celebrity and the Cultures of Ageing'. London: Palgrave
9781137495112
9781137495129
10.1057/9781137495129
http://hdl.handle.net/10547/601087
en
women
ageing
celebrity
Elinor Glyn
Reconfiguring Elinor Glyn: ageing female experience and the origins of the ‘it girl’
Book chapter
oai:uobrep.openrepository.com:10547/6011032018-05-29T11:29:15Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-10T10:59:42Z
2016-03-10T10:59:42Z
2015
Randell, K., (2015) ‘The end of the world: loss and redemption in Four Horsemen of the Apocalypse (1921)’. In Ritzenhoff, K., Krewani, A (Eds.) 'The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World'. Lanham, MA: Roman & Littlefield
1442260270
9781442260276
http://hdl.handle.net/10547/601103
en
The end of the world: loss and redemption in Four Horsemen of the Apocalypse (1921)
Book chapter
oai:uobrep.openrepository.com:10547/6011872016-03-11T13:49:15Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-11T13:49:14Z
2016-03-11T13:49:14Z
2014
Randell, K. (2014) 'Buster Keaton and the sunshine players', PCA/ACA Annual Conference, Chicago, Illinois, April 16 – April 19
http://hdl.handle.net/10547/601187
en
Buster Keaton
P303 Film studies
Buster Keaton and the sunshine players
Conference papers, meetings and proceedings
oai:uobrep.openrepository.com:10547/6011682016-03-11T13:47:37Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-11T13:47:36Z
2016-03-11T13:47:36Z
2014
Randell, K. (2014) 'Duty over Love: WWI Nurses on Film'. SCMS Annual Conference, Seattle, USA 19-23 March
http://hdl.handle.net/10547/601168
en
film
film studies
P303 Film studies
Duty over love: WWI nurses on film
Conference papers, meetings and proceedings
oai:uobrep.openrepository.com:10547/6011852016-03-11T13:43:31Zcom_10547_132179col_10547_132260
Randell, Karen
2016-03-11T13:43:28Z
2016-03-11T13:43:28Z
2013-11
Randell, K (2013) 'Pimps, Prostitutes and Promiscuity: not in our war films thank you: Selling Sex to female audiences'. Film & History Annual Conference, Madison, USA, 20-24 November
http://hdl.handle.net/10547/601185
en
film
film studies
P303 Film studies
Pimps, prostitutes and promiscuity: not in our war films thank you: selling sex to female audiences
Conference papers, meetings and proceedings
oai:uobrep.openrepository.com:10547/6014272018-06-19T10:19:15Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2016-03-16T14:01:05Z
2016-03-16T14:01:05Z
2015
Piotrowska, P (2015) Forbidden Love [Film]
http://hdl.handle.net/10547/601427
en
Forbidden love
Other
oai:uobrep.openrepository.com:10547/6013852018-06-19T10:19:00Zcom_10547_132179col_10547_132260
Piotrowska, Agnieszka
2016-03-16T14:01:36Z
2016-03-16T14:01:36Z
2015
Piotrowska, A (2015) The Suitcase [Film]
http://hdl.handle.net/10547/601385
en
The suitcase
Other
oai:uobrep.openrepository.com:10547/6035502020-12-17T11:17:29Zcom_10547_132179col_10547_132260
Caoduro, Elena
2016-03-23T13:53:34Z
2016-03-23T13:53:34Z
2014-07-08
Caoduro, E. (2014) 'Photo Filters Apps: Analogue Nostalgia and in the New Media Ecology', Networking Knowledge: Journal of the MeCCSA-PGN 7.2 (Summer 2014): 67-82.
1755-9944
http://hdl.handle.net/10547/603550
Networking Knowledge: Journal of the MeCCSA Postgraduate Network
As digital media have become more pervasive and entrenched in our daily routines, a nostalgic countertrend has increasingly valued the physical and tactile nature of the analogue image. In the past few years, technologically obsolete devices, such as lo-fi cameras and vinyl records, have not faded out of sight completely but are instead experiencing a comeback. At the same time, digital media capitalise on the nostalgia for the analogue and fetishise the retro aesthetics of old technologies. This article explores the emergence of photo filter and effect applications which allow users to modify digital photos, adding signifiers of age such as washed-out colours, scratches and torn borders. It is argued that these new technologies, with programs such as Instagram, Hipstamatic and Camera 360, bring back the illusory physicality of picture-taking through digital skeuomorphism. Drawing on media archaeology practice, this article interrogates the limits of the retro sensibility and the fetishisation of the past in the context of digital media, in particular by focusing on the case study of the start-up Instagram. This photo filter application neither merely stresses the twilight nature of photography nor represents the straightforward digital evolution of previous analogue features. Rather, it responds to the necessity to feel connected to the past by clear and valued signs of age, mimicking a perceived sense of loss. Faced with the persistent hipster culture and the newness of digital media, photo filter apps create comfortable memories, ageing pictures and adding personal value. As such, it will be argued that this phenomenon of nostalgia for analogue photography can be linked to the concepts of ritual and totem. By providing a critical history of Instagram as a photo-sharing social network, this article aims to explain new directions in the rapidly changing system of connective media.
en
W640 Photography
photography
apps
digital media
Photo filter apps: understanding analogue nostalgia in the new media ecology
Article