Compositions created with constraint programming

2.50
Hdl Handle:
http://hdl.handle.net/10547/622708
Title:
Compositions created with constraint programming
Authors:
Anders, Torsten ( 0000-0002-4995-9058 )
Other Titles:
The Oxford Handbook of Algorithmic Music
Abstract:
This chapter surveys music constraint programming systems, and how composers have used them. The chapter motivates and explains how users of such systems describe intended musical results with constraints. This approach to algorithmic composition is similar to the way declarative and modular compositional rules have successfully been used in music theory for centuries as a device to describe composition techniques. In a systematic overview, this survey highlights the respective strengths of different approaches and systems from a composer's point of view, complementing other more technical surveys of this field. This text describes the music constraint systems PMC, Score-PMC, PWMC (and its successor Cluster Engine), Strasheela and Orchidée -- most are libraries of the composition systems PWGL or OpenMusic. These systems are shown in action by discussing the composition process of specific works by Jacopo Baboni-Schilingi, Magnus Lindberg, Örjan Sandred, Torsten Anders, Johannes Kretz and Jonathan Harvey.
Citation:
Anders T (2018) 'Compositions created with constraint programming', in McLean A, Dean R T (ed(s).). The Oxford Handbook of Algorithmic Music, edn, New York: Oxford University Press pp.133-154.
Publisher:
Oxford University Press
Issue Date:
22-Mar-2018
URI:
http://hdl.handle.net/10547/622708
Additional Links:
https://global.oup.com/academic/product/the-oxford-handbook-of-algorithmic-music-9780190226992?cc=gb〈=en&
Type:
Book chapter
Language:
en
ISBN:
9780190226992
Appears in Collections:
Music

Full metadata record

DC FieldValue Language
dc.contributor.authorAnders, Torstenen
dc.date.accessioned2018-05-11T10:12:05Z-
dc.date.available2018-05-11T10:12:05Z-
dc.date.issued2018-03-22-
dc.identifier.citationAnders T (2018) 'Compositions created with constraint programming', in McLean A, Dean R T (ed(s).). The Oxford Handbook of Algorithmic Music, edn, New York: Oxford University Press pp.133-154.en
dc.identifier.isbn9780190226992-
dc.identifier.urihttp://hdl.handle.net/10547/622708-
dc.description.abstractThis chapter surveys music constraint programming systems, and how composers have used them. The chapter motivates and explains how users of such systems describe intended musical results with constraints. This approach to algorithmic composition is similar to the way declarative and modular compositional rules have successfully been used in music theory for centuries as a device to describe composition techniques. In a systematic overview, this survey highlights the respective strengths of different approaches and systems from a composer's point of view, complementing other more technical surveys of this field. This text describes the music constraint systems PMC, Score-PMC, PWMC (and its successor Cluster Engine), Strasheela and Orchidée -- most are libraries of the composition systems PWGL or OpenMusic. These systems are shown in action by discussing the composition process of specific works by Jacopo Baboni-Schilingi, Magnus Lindberg, Örjan Sandred, Torsten Anders, Johannes Kretz and Jonathan Harvey.en
dc.language.isoenen
dc.publisherOxford University Pressen
dc.relation.urlhttps://global.oup.com/academic/product/the-oxford-handbook-of-algorithmic-music-9780190226992?cc=gb〈=en&en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectalgorithmic compositionen
dc.subjectconstraints programmingen
dc.subjectOpenMusicen
dc.subjectPWGLen
dc.subjectmusic constraint programming systemsen
dc.subjectmusicen
dc.subjectW300 Musicen
dc.titleCompositions created with constraint programmingen
dc.title.alternativeThe Oxford Handbook of Algorithmic Musicen
dc.typeBook chapteren
dc.date.updated2018-05-11T10:06:07Z-
dc.description.note"After publication you may reuse the following portions of your content without obtaining formal permission for the activities expressly listed below: a maximum of one chapter/article from your contribution to an edited book or collection (e.g. Oxford Handbooks), posting on the your own personal website or in an institutional or subject based repository after a 12 month period for Science and Medical titles and a 24 month period for Academic, Trade and Reference titles" https://global.oup.com/academic/rights/permissions/autperm/?cc=gb〈=en&-
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