2.50
Hdl Handle:
http://hdl.handle.net/10547/577092
Title:
Technological cognitive embodiment and the digital ‘other’
Authors:
Douse, Louise Emma
Abstract:
This paper extends on Don Ihde’s theories of human/ technology relations in order to clarify the affective interactive experience of self with ‘other’ as mediated by technology. It offers a new conceptualization of world, technology and other within digital performance research. The paper argues that technologies such as motion capture can be utilised in the storing and representing of embodied cognitive skills as in dance improvisation, in which knowledge in the body is articulated through motor skill. This ability to store and manipulate enables interaction with the world, and thus with an ‘other’ via a digital double.
Affiliation:
University of Bedfordshire
Citation:
Douse, L. (2015) ‘Technological cognitive embodiment and the digital ‘other’’, in Maragiannis, A. (Eds.) Final Paper /Proceedings of the Digital Research in the Humanities and Arts conference, DRHA2014, London.
Issue Date:
2015
URI:
http://hdl.handle.net/10547/577092
Additional Links:
http://www.drha2014.co.uk/wp-content/uploads/2015/08/LOW_res_final_paper_proceedings_drha2014.pdf
Type:
Conference papers, meetings and proceedings
Language:
en
ISBN:
9781326388584
Appears in Collections:
Centre for Applied Research in Dance

Full metadata record

DC FieldValue Language
dc.contributor.authorDouse, Louise Emmaen
dc.date.accessioned2015-09-11T08:56:12Zen
dc.date.available2015-09-11T08:56:12Zen
dc.date.issued2015en
dc.identifier.citationDouse, L. (2015) ‘Technological cognitive embodiment and the digital ‘other’’, in Maragiannis, A. (Eds.) Final Paper /Proceedings of the Digital Research in the Humanities and Arts conference, DRHA2014, London.en
dc.identifier.isbn9781326388584en
dc.identifier.urihttp://hdl.handle.net/10547/577092en
dc.description.abstractThis paper extends on Don Ihde’s theories of human/ technology relations in order to clarify the affective interactive experience of self with ‘other’ as mediated by technology. It offers a new conceptualization of world, technology and other within digital performance research. The paper argues that technologies such as motion capture can be utilised in the storing and representing of embodied cognitive skills as in dance improvisation, in which knowledge in the body is articulated through motor skill. This ability to store and manipulate enables interaction with the world, and thus with an ‘other’ via a digital double.en
dc.language.isoenen
dc.relation.urlhttp://www.drha2014.co.uk/wp-content/uploads/2015/08/LOW_res_final_paper_proceedings_drha2014.pdfen
dc.subjectembodimenten
dc.subjecttechnologyen
dc.subjectdigital otheren
dc.subjectIhdeen
dc.subjecthermeneuticsen
dc.subjectmotion captureen
dc.subjectDon Ihdeen
dc.subjecthuman computer interactionen
dc.titleTechnological cognitive embodiment and the digital ‘other’en
dc.typeConference papers, meetings and proceedingsen
dc.contributor.departmentUniversity of Bedfordshireen
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