The application of traditional Chinese aesthetic principles to contemporary international design

2.50
Hdl Handle:
http://hdl.handle.net/10547/344358
Title:
The application of traditional Chinese aesthetic principles to contemporary international design
Authors:
Dong, Ren Wen
Abstract:
The Application of Traditional Chinese Aesthetic Principles to Contemporary International Design. This is a submission by publication consisting of 13 major design projects and an accompanying research report. China is undergoing phenomenal economic growth that is having a major impact on the social and cultural development of the Republic. Accompanying the growth is an unprecedented urbanisation of the population and expansion of the cities. This has meant an explosion in the building industries. At the same time China is moving towards the central position in the global economy that also has huge cultural implications. This is the context in which I have pursued my professional practice as an interior and architectural designer. Some of the questions I have been attempting to address through my practice arise directly out of this context. In the fast expansion of the field of interior design that has accompanied this growth it is vital that Chinese designers are aware of the cultural context of their work. Is it possible for Chinese designers working in the developing international context of contemporary design projects in China to make a unique contribution to the field that is specifically Chinese? This presentation of my practice will provide a cohesive argument for an approach to design in the international arena that remains specific to the cultural and temporal context of its origins. I will specifically demonstrate solutions I have found to the application of ancient Chinese aesthetic principles to contemporary international design problems. As practice-based research I have given much thought to the methodologies I have employed. I will provide a detailed outline of these 'action' research methodologies and definitions of the types of knowledge employed in the following report. The visual evidence is also accompanied by descriptions of the projects including the briefs, design solutions and specific Chinese characteristics. The presentation of my practice in this form provides evidence of the ways in which cultural specificity can be maintained within the international design arena and makes a meaningful contribution to debates and knowledge in the area of cultural diversity and design.
Citation:
Dong, R.W. (2006) 'The application of traditional Chinese aesthetic principles to contemporary international design'. PhD thesis. University of Luton.
Publisher:
University of Bedfordshire
Issue Date:
Feb-2006
URI:
http://hdl.handle.net/10547/344358
Type:
Thesis or dissertation
Language:
en
Description:
A thesis submitted in partial fulfilment of the requirements of the University of Luton for the degree of Doctor of Philosophy
Appears in Collections:
PhD e-theses

Full metadata record

DC FieldValue Language
dc.contributor.authorDong, Ren Wenen
dc.date.accessioned2015-02-10T12:54:36Z-
dc.date.available2015-02-10T12:54:36Z-
dc.date.issued2006-02-
dc.identifier.citationDong, R.W. (2006) 'The application of traditional Chinese aesthetic principles to contemporary international design'. PhD thesis. University of Luton.en
dc.identifier.urihttp://hdl.handle.net/10547/344358-
dc.descriptionA thesis submitted in partial fulfilment of the requirements of the University of Luton for the degree of Doctor of Philosophyen
dc.description.abstractThe Application of Traditional Chinese Aesthetic Principles to Contemporary International Design. This is a submission by publication consisting of 13 major design projects and an accompanying research report. China is undergoing phenomenal economic growth that is having a major impact on the social and cultural development of the Republic. Accompanying the growth is an unprecedented urbanisation of the population and expansion of the cities. This has meant an explosion in the building industries. At the same time China is moving towards the central position in the global economy that also has huge cultural implications. This is the context in which I have pursued my professional practice as an interior and architectural designer. Some of the questions I have been attempting to address through my practice arise directly out of this context. In the fast expansion of the field of interior design that has accompanied this growth it is vital that Chinese designers are aware of the cultural context of their work. Is it possible for Chinese designers working in the developing international context of contemporary design projects in China to make a unique contribution to the field that is specifically Chinese? This presentation of my practice will provide a cohesive argument for an approach to design in the international arena that remains specific to the cultural and temporal context of its origins. I will specifically demonstrate solutions I have found to the application of ancient Chinese aesthetic principles to contemporary international design problems. As practice-based research I have given much thought to the methodologies I have employed. I will provide a detailed outline of these 'action' research methodologies and definitions of the types of knowledge employed in the following report. The visual evidence is also accompanied by descriptions of the projects including the briefs, design solutions and specific Chinese characteristics. The presentation of my practice in this form provides evidence of the ways in which cultural specificity can be maintained within the international design arena and makes a meaningful contribution to debates and knowledge in the area of cultural diversity and design.en
dc.language.isoenen
dc.publisherUniversity of Bedfordshireen
dc.subjectW200 Design studiesen
dc.subjectChinese aestheticen
dc.subjectdesignen
dc.subjectinterior designen
dc.titleThe application of traditional Chinese aesthetic principles to contemporary international designen
dc.typeThesis or dissertationen
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