An illuminated consciousness: light and surface in drawing rooms, 1800-1850.

2.50
Hdl Handle:
http://hdl.handle.net/10547/224772
Title:
An illuminated consciousness: light and surface in drawing rooms, 1800-1850.
Authors:
Barnaby, Alice
Other Titles:
Surface tensions: surface, finish and the meanings of objects.
Citation:
Barnaby, A. (2012) 'An illuminated consciousness: light and surface in drawing rooms, 1800-1850'', in Kelley, V. & Adamson, G. (eds.) Surface tensions: surface finish and the meanings of objects. Manchester: Manchester University Press, pp.
Publisher:
Manchester University Press
Issue Date:
2012
URI:
http://hdl.handle.net/10547/224772
Type:
Book chapter
Language:
en
Description:
Awaiting publication.
Appears in Collections:
Art & Design

Full metadata record

DC FieldValue Language
dc.contributor.authorBarnaby, Aliceen_GB
dc.date.accessioned2012-05-20T08:35:51Z-
dc.date.available2012-05-20T08:35:51Z-
dc.date.issued2012-
dc.identifier.citationBarnaby, A. (2012) 'An illuminated consciousness: light and surface in drawing rooms, 1800-1850'', in Kelley, V. & Adamson, G. (eds.) Surface tensions: surface finish and the meanings of objects. Manchester: Manchester University Press, pp.en_GB
dc.identifier.urihttp://hdl.handle.net/10547/224772-
dc.descriptionAwaiting publication.en_GB
dc.language.isoenen
dc.publisherManchester University Pressen_GB
dc.subjectLighten_GB
dc.subjectInterior decorationen_GB
dc.subjectConsciousnessen_GB
dc.titleAn illuminated consciousness: light and surface in drawing rooms, 1800-1850.en
dc.title.alternativeSurface tensions: surface, finish and the meanings of objects.en_GB
dc.typeBook chapteren
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